Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature3 passages
- ERNEST IN LOVE based on Oscar Wilde’s “The Importance of Being Earnest”; Book and Lyrics Anne Croswell; Music, Lee Pockriss; Director, Jay Stephens; Musical Direction, Deborah Lapidus;theatre-pdfs/Theatre World/Theatre World, 1979-80 Season, v. 36 (Willis).txt
- (All Soul’s) Thursday. Jan. 27-Feb. 6, 1994 (10 performances) All Souls Players present: ERNEST IN LOVE with Music by Lee Pockriss; Lyrics/Book, Anne Croswell; Director, Jeffery K. Neill; Musical Director, Joyce Hitchcock; Sets/Lighting, Tim Callery; Costumes, Charles W. Roeder; Stage Manager, Ralph Ortiz CAST: Neal Arluck (Perkins), Joe…theatre-pdfs/Theatre World/Theatre World, 1993-94 Season, v. 50 (Willis).txt
- CONCERTS 2011 Gatsby: The Songs in Concert Book by Hugh Wheeler; Music by Lee Pockriss; Lyrics by Carolyn Leigh; Inspired by the novel by F. Scott Fitzgerald; September 30, 2011 Ma Femme, Ma Blonde, et Ma Roulotte Book by Betsy Kelso; Music and Lyrics by David Nehls; Translated by Stephen Pietrantoni, David Laurin, andtheatre-pdfs/Theatre World/Theatre World, 2011-12 Season, v. 68 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.