On stage 7 productions, 22 years
| 1938 | Rocket to the Moon Belasco Theatre · Original · directed by Harold Clurman | 131 perf. |
| 1939 | Margin for Error Plymouth Theatre · Original · directed by Otto Preminger | 264 perf. |
| 1940 | Higher and Higher Shubert Theatre · Original · directed by Joshua Logan | 84 perf. |
| 1940 | Retreat to Pleasure Belasco Theatre · Original · directed by Harold Clurman | 23 perf. |
| 1941 | The Cream in the Well Booth Theatre · Original | 24 perf. |
| 1953 | Tea and Sympathy Ethel Barrymore Theatre · Original · directed by Elia Kazan | 712 perf. |
| 1960 | The World of Carl Sandburg Henry Millers Theatre · Original | 29 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once3 names
| Ruth Nelson | 2 productions |
| John Mcgovern | 2 productions |
| Art Smith | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.