On stage 4 productions, 42 years
| 1939 | Lew Leslie's Blackbirds of 1939 Hudson Theatre · Original | 9 perf. |
| 1957 | Jamaica Imperial Theatre · Original · directed by Robert Lewis | 555 perf. |
| 1974 | Tony & Lena Sing Minskoff Theatre · Original | 37 perf. |
| 1981 | Lena Horne: "The Lady and Her Music" Nederlander Theatre · Original · directed by Arthur Faria | 333 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
In the literature8 passages
- Cast : Ricardo Montalban (Koli), Augustine Rios (Quico), Lena Horne (Savannah), Adelaide Hall (Grandma Obeah), Josephine Premice (Ginger), Roy Thompson (Snodgrass), Hugh Dilworth (Hucklebuck), Ethel Ayler (Island Woman), Adelaide Boatner (Island Woman), Erik Rhodes (The Governor), Ossie Davis (Cicero), James E. Wall (Lancaster), Tony Mart…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “Savannah” (Ricardo Montalban, Fishermen); “Savannah’s Wedding Day” (Adelaide Hall, Islanders); “Pretty to Walk With” (Lena Horne); “Push the Button” (Lena Horne); “Incompatibility” (Ricardo Montalban, Augustine Rios, Island Men); “Little Biscuit” (Ossie Davis, Josephine Premice); “Cocoanut Sweet” (Adelaide Hall, Lena Horne); “Pi…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “Leave the Atom Alone” (Josephine Premice, Islanders); “Cocoanut Sweet” (reprise) (Lena Horne); “For Every Fish” (Adelaide Hall, Fishermen); “I Don’t Think I’ll End It All Today” (Lena Horne, Ricardo Montalban, Islanders); “Napoleon” (Lena Horne); “Ain’t It the Truth” (reprise); “Savannah” (reprise) (Lena Horne, Ricardo Montalban…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Jamaica started life as Pigeon Island and was to have starred Lena Horne and Harry Belafonte. When the musical was finally produced, Ricardo Montalban was Horne’s leading man, and the two of them dominated the score (there wasn’t much plot to dominate). Of the musical’s twenty-one songs (including reprises and one dance number), Horne and…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- John McClain in the New York Journal-American said the plot itself was “a large hunk of nothing,” and while Jamaica was “by no means in the same ocean as South Pacific ” it was nonetheless a “speedy and sumptuous” vehicle for the “many-splendored” Lena Horne; Brooks Atkinson in the New York Times noted his readers might not “be passionate…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Richard Watts in the New York Post took a “fairly dim view” of the book, but summed it up best by saying the musical was Lena Horne’s “triumph . . . she creates an atmosphere of excitement that is inescapable.” Thanks to her, the musical had a long run and turned a profit.ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.