Lew Fields

On stage 2 productions, 15 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on2 works

Poor Little Ritz Girl
The Magnolia Lady

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Fields, Armond, and Fields, L. Marc. From the Bowery to Broadway: Lew Fields and the Roots of American Popular Theater . New York: Oxford University Press, 1993.ebooks/Lambert, Philip/B00590X4L8 EBOK - Philip Lambert.txt
• Joseph Fields’s role in the show’s background signals a larger issue that addresses Annie Get Your Gun ’s fundamental differences from Oklahoma! , its New York roots, and its underlying postwar contemporaneity (all of which are audible in the score’s swing numbers). The subject of Annie Oakley and the Wild West shows had a long-establishe…ebooks/Magee, Jeffrey/Irving Berlin's American Musical Theater (Broadway Legacies) - Jeffrey Magee.txt
• Fields, Armond, and L. Marc Fields. From the Bowery to Broadway: Lew Fields and the Roots of American Popular Theater . New York: Oxford University Press, 1993.ebooks/Magee, Jeffrey/Irving Berlin's American Musical Theater (Broadway Legacies) - Jeffrey Magee.txt
• Joe Weber and Lew Fields were Dutch comics of the Jewish variety, easily the most famous of their kind during their heyday, which lasted from the mid-1890s till a bitter parting in 1904. Some of the humor that they invented lives on in the repartee of Marx Brothers movies, as when Fields uses the word “etiquette” and Weber replies, “Who e…ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
• Cohan was not the only vaudevillian to make the transition to the legitimate stage. In 1904, the famous partnership of Joseph Weber (1867–1942) and Lew Fields (1867–1941) disbanded. The pair had a long association both on stage and off. On stage, they were known as a Dutch-dialect duo whose sketches featured a thickly accented broad comed…ebooks/Music, The Cambridge Companion To The Musical Cambridge Companions To/Cambridge Companion to the Musical (Cambridge Companions to Music), The - The Cambridge Companion To The Musical Cambridge Companions To Music.txt
• Fields joined with producer Fred Hamlin and director Julian Mitchell to organise the Lew Fields Stock Company. Hamlin and Mitchell had been involved with two hits from 1903: The Wizard of Oz and Babes in Toyland . Mitchell’s directorial career covered the full high–low spectrum from Herbert’s comic opera The Fortune Teller starring Alice…ebooks/Music, The Cambridge Companion To The Musical Cambridge Companions To/Cambridge Companion to the Musical (Cambridge Companions to Music), The - The Cambridge Companion To The Musical Cambridge Companions To Music.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — book writer, director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.