Theatre Register

Lina Abarbanell

Shows · Lina Abarbanell

Actor 1879–1963 On stage 19061934

Lina Abarbanell (January 3, 1879 – January 6, 1963) was an American soprano who performed in grand and light opera and musical comedy. She made her debut at fourteen as Adele in the operetta Die Fledermaus, at the Royal Opera House in Berlin. She was first introduced to American theatergoers in 1905 as the soubrette in the Josef Strauss operetta Frühlingsluft (Spring Air). Abarbanell made opera history later that year as Hänsel in The Met's debut production of Engelbert Humperdinck's Hänsel und Gretel. Abarbanell spent the following near thirty years performing on Broadway and at venues across America. After her husband's death in 1934, Abarbanell left the stage, but remained active over vir…

On stage 12 productions, 28 years

1906 The Student King Garden Theatre · Original · directed by George Marion 40 perf.
1907 The Merry Widow New Amsterdam Theatre · Original · directed by George Marion 416 perf.
1910 Madame Sherry New Amsterdam Theatre · Original · directed by George Lederer 231 perf.
1912 Miss Princess Park Theatre · Original 16 perf.
1913 The Geisha 44th Street Theatre · Revival · directed by Edwin T. Emery 52 perf.
1916 Flora Bella Casino Theatre · Original · directed by Richard Ordynski 112 perf.
1921 The Grand Duke Lyceum Theatre · Original 131 perf.
1926 Happy-Go-Lucky Liberty Theatre · Revival · directed by Fred G. Latham 52 perf.
1929 The Silver Swan Martin Beck Theatre · Original · directed by Leroy J. Prinz 21 perf.
1930 The Inspector General Hudson Theatre · Revival 7 perf.
1930 The Well of Romance Craig Theatre · Original · directed by Leon Leonidoff 8 perf.
1934 Theodora, The Quean Forrest Theatre · Original 5 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once3 names

Laine Blaire 2 productions
Georgia Caine 2 productions
Flavia Arcaro 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

In the literature4 passages

  • 105 Lina Abarbanell (1879–1963) was an opera singer and casting director. She was Marc Blitzstein's mother-in-law. As a singer, her debut at the Metropolitan Opera on 25 November 1905 was as Gretel in the Met premiere of Humperdinck's Hansel and Gretel , given in the presence of the composer. She later became a successful casting director…ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
  • Cast: Lina Abarbanell, Ralph Herz, Elizabeth Murray, Jack Gardner, Dorothy Jardon, Frances Demarestebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
  • The musical hits were “Madame Sherry” starring Lina Abarbanell, “Naughty Marietta” with Emma Trentini, “Alma, Where Do You Live?” with Kitty Gordon, “The Spring Maid” starring Christie MacDonald, “The Arcadians” with Frank Moulan and Julia Sanderson and “‘The Old Town”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
  • CHARES KING, GEORGIA CAINE, EDWIN STEVENS, PAULINE HALL, FRANK POLLOCK, CARL GANTVOORT, (seated) ALICE ZEPPILLI, JAMES T. POWERS, LINA ABARBANELL in ‘THE GEISHA”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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