Liz Callaway

On stage 8 productions, 27 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on4 works

Aladdin
Anastasia
Beauty and the Beast
The Lion King

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Cast: Jonathan Pryce, Lea Salonga, Hinton Battle, Willy Falk, Barry K. Bernal, Liz Callaway, Kam Chengebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
• 61 . The recordings by Robert Goulet, Peggy Lee, and the Four Freshmen were released in the late 1950s and early 1960s. Liz Callaway’s rendition appears on the first Lost in Boston CD (see Appendix B ). The score for the song is included in the Sheldon Harnick Songbook (Warner Brothers, 1996).ebooks/Lambert, Philip/B00590X4L8 EBOK - Philip Lambert.txt
• We made a mighty sound in unison, but the most impressive voices emerged early on: Liz Callaway—who understudied Mary—was one of those ego-less singers who made us all marvel. Jim Walton’s voice was bright—he started in our ensemble and ultimately replaced the leading man, Jim Weissenbach, as Frank. Lonny Price, who played Charley from th…ebooks/Pogrebin, Abigail/Showstopper - Abigail Pogrebin.txt
• For their Broadway debut with Baby in 1984, Maltby and Shire wrote a much heralded score, with the jewel in the crown being “The Story Goes On”. The song, premiered by Liz Callaway, is often pointed to as a landmark in modern musical theatre, a song that chronicles a moment no other song ever had (the first time a woman feels her baby kic…ebooks/Tepper, Jennifer/Untold Stories of Broadway, Part 1, The - Jennifer Tepper.txt
• When I interviewed Liz Callaway, she told me about the time, a decade after Baby , when she got to go into Cats at the Winter Garden, as Grizabella:ebooks/Tepper, Jennifer/Untold Stories of Broadway, Part 1, The - Jennifer Tepper.txt
• I did Cats for a year and a half. While I was there, Loni Ackerman was Grizabella, then Laurie Beechman, then Liz Callaway, then Lillias White.ebooks/Tepper, Jennifer/Untold Stories of Broadway, Part 1, The - Jennifer Tepper.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.