On stage 7 productions, 24 years
| 1981 | Merrily We Roll Along Alvin Theatre · Revival · directed by Harold Prince | 16 perf. |
| 1981 | The Survivor Morosco Theatre · Original · directed by Robert Caprio | 8 perf. |
| 1982 | "MASTER HAROLD"…and the boys Lyceum Theatre · Original | 344 perf. |
| 1986 | Rags Mark Hellinger Theatre · Original · directed by Gene Saks | 4 perf. |
| 1987 | Broadway Royale Theatre · Revival · directed by Donald Saddler | 4 perf. |
| 1987 | Burn This Plymouth Theatre · Original · directed by Marshall W. Mason | 437 perf. |
| 2005 | Children and Art New Amsterdam Theatre · Original · directed by Lisa Shriver | 1 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once3 names
| Judy Kuhn | 2 productions |
| Jim Walton | 2 productions |
| Ann Morrison | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.
Also credited on3 works
110 in the Shade (2007 Revival)
Urban Cowboy
Beaches, A New Musical
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Original cast (1981) : Jim Walton, Ann Morrison, Lonny Price, Paul Gemignani (conductor). RCA CBL1–4197.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- For while Lonny Price didn’t co-write the songs of A Class Act, he matched Newley’s 1963 Stop the World achievement of starring, directing, and co-writing a show’s book.ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
- Many of the original sets were discarded. Lonny Price said, "The original idea was for the whole set to look as if the kids had built a big tinker toy. That's why we had all those bleachers. Initially, the bleachers were the whole set. They were able to change into various configurations. They never worked right and they were ugly to boot…ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
- Lonny Price lost a small part of the "Old Friends" number in the Polo Lounge scene which was reassigned to Mary. He was sorry to lose it since it had become Charley's theme song. He said, "It was very warm and sunny and open and very lovely.' 121 Many of the speaking roles were cut, as characters were eliminated, with many of the cast who…ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
- Merrily We Roll Along opened on Broadway on 16 November 1981 to terrible reviews. Lonny Price called them "hateful, nasty and angry."29 In the actor's opinion, the critics saw a vulnerable show, with no stars and no advance sale. It was an easy show to kill. "They went after Sondheim and Prince with an ax.' 330ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
- 62 . The director of this production was Lonny Price, who had played one of the young sons in the 1972 California tour.ebooks/Lambert, Philip/B00590X4L8 EBOK - Philip Lambert.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.