On stage 27 productions, 36 years
| 1901 | On the Quiet Hoyts Theatre · Original | 160 perf. |
| 1902 | Humming Birds and Onions Weber And Fields Broadway Music Hall · Original | |
| 1902 | On the Quiet Hoyts Theatre · Return-Engagement | 40 perf. |
| 1902 | The Diplomat Hoyts Theatre · Original · directed by Jacob Litt | 76 perf. |
| 1902 | The Stickiness of Gelatine Weber And Fields Broadway Music Hall · Original | |
| 1902 | Twirly Whirly Weber And Fields Broadway Music Hall · Original · directed by Julian Mitchell | 247 perf. |
| 1903 | The Big Little Princess Weber And Fields Broadway Music Hall · Original · directed by Lew M. Fields | |
| 1903 | The Man Who Stole the Castle Princess Theatre · Original | 48 perf. |
| 1904 | The Dictator Criterion Theatre · Original | 64 perf. |
| 1907 | Personal Bijou Theatre · Original | 38 perf. |
| 1916 | The Amber Empress Globe Theatre · Original · directed by George Marion | 15 perf. |
| 1917 | Eileen Shubert Theatre · Original · directed by Fred G. Latham | 64 perf. |
| 1918 | Somebody's Sweetheart Central Theatre · Original | 224 perf. |
| 1918 | The Mikado Park Theatre · Revival · directed by Charles H. Jones | |
| 1918 | Toot-Toot! George M Cohans Theatre · Original · directed by Edward Rose | 40 perf. |
| 1920 | Tickle Me Selwyn Theatre · Original · directed by William Collier | 207 perf. |
| 1922 | The Gingham Girl Earl Carroll Theatre · Original · directed by Edgar MacGregor | 322 perf. |
| 1923 | Little Jessie James Longacre Theatre · Original · directed by Walter Brooks | 385 perf. |
| 1925 | The Fourflusher Apollo Theatre · Original | 56 perf. |
| 1928 | Good Boy Hammerstein's Theatre · Original · directed by Reginald Hammerstein | 253 perf. |
| 1929 | Polly Lyric Theatre · Revival · directed by Jack Haskell | 15 perf. |
| 1930 | Princess Charming Imperial Theatre · Original · directed by Edward Clarke Lilley | 56 perf. |
| 1931 | Earl Carroll's Vanities [1931] Earl Carroll Theatre · Original · directed by Edgar MacGregor | 300 perf. |
| 1931 | The Third Little Show Music Box Theatre · Original · directed by Alexander Leftwich | 136 perf. |
| 1932 | Hot-Cha! Ziegfeld Theatre · Original · directed by Bobby Connolly | 119 perf. |
| 1932 | Take A Chance Apollo Theatre · Original · directed by Edgar MacGregor | 243 perf. |
| 1937 | The Eternal Road Manhattan Opera House · Original · directed by Max Reinhardt | 153 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| William Collier | 9 productions |
| Peter F Dailey | 4 productions |
| Mabel Lynn | 4 productions |
| Mabel Barrison | 4 productions |
| Laura Senac | 4 productions |
| Fay Templeton | 4 productions |
| Eva Allen | 4 productions |
| Edna Birch | 4 productions |
| Charles A Bigelow | 4 productions |
| Carrie Bowman | 4 productions |
| Will Archie | 3 productions |
| Ollie Hatfield | 3 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.