Lucie Arnaz

On stage 5 productions, 34 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once1 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.

Also credited on1 work

They’re Playing Our Song

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• In 1974, Tune and Seesaw had taken to the road (in what many felt was a better production, helmed by Lucie Arnaz and John Gavin). Tune did come to New York on the night of the Tony Awards, and after he was named Best Featured Actor in a Musical, he told the theater and television audience, “Canada, America,” Seesaw is “not a movie, it’s n…ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
• The Big Picture. Whether he knows it or not, he’s imitating his mother and can’t seem to find his own persona. Lucie Arnaz did, to her eternal credit.ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
• Replacements included Jonathan Pryce and Keith Carradine for Lithgow, Rachel York for Sherie Rene Scott, Lucie Arnaz for Joanna Gleason, Richard Kind for Gregory Jbara, and Brian d’Arcy James for Butz.ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
• choreographed by Patricia Birch produced by Emanuel Azenberg starring Robert Klein and Lucie Arnaz with Helen Castillo, Celia Celnik Matthau, Wayne Mattson, Andy Roth, Debbie Shapiro, and Greg Zadikovtheatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt
• intelligent and often exhilarating. Lucie Arnaz, as the lyricist, plays a charming drip and goes a considerable distance with the charm before the drip floods it out. Song is more a play with songs than a musical in any classic or even unconventional sense; and it is one of Simon’s weakest. [The leads] meet cute, which is a Simon specialt…theatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt
• make with one hand tied behind your back, or perhaps one foot in a cast). Anyway, Lucie Arnaz brings him a tiny red piano. And, after she’s gone, Klein is moved to tinkle out an incomplete tune called “Fill in the Words.” That’s to say, he completes melody and lyric but leaves just four or five notes wide open on that miniature instrument…theatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.