Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature5 passages
- Ludwig Lewisohn’s translation appeared the following year, in January 1936, as a more or less literal rendering of the Viennese text. The full title is given as The Eternal Road: A Drama in Four Parts (New York: Viking Press). Preceding the translator’s note, there is a short note informing readers of the New York production: “The English…ebooks/Hinton, Stephen/Weill's Musical Theater_ Stages of Reform - Stephen Hinton.txt
- Der Weg der Verheissung (biblical drama, Franz Werfel), 1934–35 [incomplete]; revised by Weill and Ludwig Lewisohn as The Eternal Road, New York, Manhattan Opera House, 7 January 1937.ebooks/Hinton, Stephen/Weill's Musical Theater_ Stages of Reform - Stephen Hinton.txt
- 99 . Franz Werfel, The Eternal Road: A Drama in Four Parts, trans. Ludwig Lewisohn (New York: Viking Press, 1936), xi.ebooks/Hinton, Stephen/Weill's Musical Theater_ Stages of Reform - Stephen Hinton.txt
- work has diminished and he therefore furnishes less provocation. In America, Ludwig Lewisohn and George Jean Nathan were up in arms the taste for histheatre-pdfs/A Treasury of the Theatre, v. 3.txt
- Introduction by Ludwig Lewisohn A play in 3 acts In the introduction to this tragedy of negro life Ludwig Lewisohn says: | “Every triangle play isa‘Medea’. There | are subjects that are classical because they are native to the chatacter and circumstances of mankind. Such is the subject of ‘Goat Alley.” And| George Jean Nathan: “ ‘Goat All…theatre-pdfs/sim_theatre-arts_1923-01_7_1.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Which of the credits above the roles on this record — lyricist — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.