Marc Breaux

On stage 4 productions, 11 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once1 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on3 works

Do Re Mi
Li’l Abner
Minnie’s Boys

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Cast : Pat Carroll, David Burns, Elaine Dunn, Jack Wakefield, Helen Halpin, Marc Breaux, Undine Forrest, Sonny Sparks, Wayne Sherwood, Kay Malone, Denny Desmond, Calvin Holt, Trude Adams; Ensemble: Lynne Bretonn, Mickey Calin, Lillian D’Honau, Carol Field, Louise Golden, Carl Jeffrey, Rhoda Kerns, Kay Kingston, Sigynebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act One: “A Typical Day (in Dogpatch, U.S.A.)” (Dogpatchers); “If I Had My Druthers” (Peter Palmer, Marc Breaux, Ralph Linn, Jack Matthew, Robert McClure, George Reeder); “If I Had My Druthers” (reprise) (Edith Adams); “Jubilation T. Cornpone” (Stubby Kaye, Dogpatchers); “Rag Offen the Bush” (Dogpatchers); “Namely You” (Edith Adams, Peter…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act Two: “Oh, Happy Day” (Stanley Simmonds, George Reeder, Ralph Linn, Marc Breaux); “I’m Past My Prime” (Edith Adams, Stubby Kaye); “Love in a Home” (Peter Palmer, Edith Adams); “Progress Is the Root of All Evil” (Howard St. John); “Society Party” (Guests, Dogpatchers); “Progress Is the Root of All Evil” (reprise) (Howard St. John); “Put…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act One: “Bottleneck” (Patrons of the Last Chance Saloon); “Ladies” (Dolores Gray, Girls); “Hoop-de-Dingle” (Jack Prince, Patrons of the Last Chance Saloon); “Tomorrow Morning” (Andy Griffith); “Ballad of the Gun” (Andy Griffith, Jack Prince); “The Social” (Townspeople of Bottleneck); “Whip Dance” (Marc Breaux, Swen Swenson, George Reeder…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• In the interim, Cubby hired the remarkable Sherman brothers to write the score, as well as my favorite choreographers, Marc Breaux and Dee Dee Wood. While both additions pleased me greatly, I made one last stipulation. I didn’t want to reprise my English accent, which I’d struggled famously with in Mary Poppins . Not a problem. My charact…ebooks/Dyke, Dick Van/My Lucky Life in and Out of Show Business_ A Memoir - Dick Van Dyke.txt
• Cast : Andy Griffith, Dolores Gray, Scott Brady, Jack Prince, Swen Swenson, Marc Breaux, George Reederebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — actor, choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.