Marc Connelly

On stage 3 productions, 19 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on1 work

The Green Pastures

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Direction : Marc Connelly; Producers : The Wigreen Company in association with Harry Fromkes; Scenery , Costumes, and Lighting : Robert Edmond Jones; Musical Direction : Choir under the musical direction of Hall Johnsonebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• The Green Pastures was Marc Connelly’s adaptation of Roark Bradford’s 1928 collection of short stories Ol’ Man Adam an’ His Chillun . According to Connelly in a program note, both the play and the collection told biblical stories from the perspective of “untutored black Christians—many of whom cannot read” and who “unburdened by the diffe…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• “Dreadfully lacking in box office appeal.”—VARIETY in 1930 on Marc Connelly’s Green Pastures , a “race” (black) story which won a Pulitzer Prize in 1931, ran for 557 performances before touring for four years, then returning to Broadway in 1935, closing with its 1,653rd performance; it grossed a then-remarkable $3 million-plus, partly bec…ebooks/Hadleigh, Boze/Broadway Babylon - Boze Hadleigh.txt
• “Beggar on Horseback”’ by George S. Kaufman and Marc Connelly was an unusual play. Roland Young played the lead, supported by Kay Johnson, Osgood Perkins, Spring Byington and Grethe Ruzt-Nissen (Greta Nissen). Other new plays were “The Goose Hangs High” by Lewis Beach, “Expressing Willie” by Rachel Crothers, “The Youngest” by Philip Barry…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
• the subject. In folk plays like DuBose and Dorothy Hey ward's Porgy (1927) and Marc Connelly's Thetheatre-pdfs/A Treasury of the Theatre, v. 2.txt
• To Rinehart & Company, Inc., and Marc Connelly for their consent to the inclusion oftheatre-pdfs/A Treasury of the Theatre, v. 3.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.