Also credited on2 works
Death Becomes Her
On the Twentieth Century
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature2 passages
- Finally, Saturday night, I did lots of holiday parties. First James, Juli and I ran down to Don't Tell Mama to meet my L.A. friends Steve Rabiner and Marco Pennette. I first met Marco when I was playing for The Jerry Lewis Telethon for his friend Tia Riebling, who was playing Rizzo in the ‘94 revival of Grease! He had just created the sho…ebooks/Rudetsky, Seth/Seth's Broadway Diary, Volume 1_ Part 1 - Seth Rudetsky.txt
- Motherhood Out Loud Conceived by Susan Rice and Joan Stein; Scenes: Squeeze, Hold, Release by Cheryl L. West; Next to the Crib by Brooke Berman; New in the Motherhood by Lisa Loomer; Queen Esther by Michele Lowe; Baby Bird by Theresa Rebeck; /f We're Using a Surrogate Why Am |the One with Morning Sickness by Marco Pennette; Nooha’s List b…theatre-pdfs/Theatre World/Theatre World, 2011-12 Season, v. 68 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — book writer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.