On stage 33 productions, 49 years
| 1899 | The Only Way Herald Square Theatre · Original · directed by William Seymour | 74 perf. |
| 1900 | Mrs. Dane's Defense Empire Theatre · Original | 107 perf. |
| 1901 | Brother Officers Empire Theatre · Revival · directed by Joseph Humphreys | 8 perf. |
| 1901 | The Wilderness Empire Theatre · Original · directed by Joseph Humphreys | 80 perf. |
| 1902 | The Importance of Being Earnest Empire Theatre · Revival | 49 perf. |
| 1902 | The Mummy and the Humming Bird Empire Theatre · Original | 85 perf. |
| 1903 | The Mummy and the Humming Bird Empire Theatre · Return-Engagement | |
| 1904 | The Duke of Killicrankie Empire Theatre · Original · directed by William Seymour | 128 perf. |
| 1905 | De Lancey Empire Theatre · Original | 68 perf. |
| 1906 | The Price of Money Garrick Theatre · Original | 42 perf. |
| 1908 | Father and the Boys Empire Theatre · Original | 88 perf. |
| 1918 | Oh, Lady! Lady! Princess Theatre · Original · directed by Edward Royce, Robert Milton | 219 perf. |
| 1919 | An Exchange of Wives Bijou Theatre · Original | 19 perf. |
| 1919 | Caesar's Wife Liberty Theatre · Original | 81 perf. |
| 1919 | Good Morning, Judge Shubert Theatre · Original · directed by Wybert Stamford | 140 perf. |
| 1920 | The Charm School Bijou Theatre · Original | 88 perf. |
| 1921 | In the Night Watch Century Theatre · Original · directed by Frederick Stanhope | 113 perf. |
| 1921 | The Married Woman Princess Theatre · Revival · directed by C.A. DeLima | 51 perf. |
| 1922 | On the Stairs Playhouse Theatre · Original · directed by Edgar J. MacGregor | 80 perf. |
| 1922 | The Charlatan Times Square Theatre · Revival · directed by Ira Hards | 61 perf. |
| 1923 | Cinders Dresden Theatre · Original | 31 perf. |
| 1924 | The Best People Lyceum Theatre · Original | 143 perf. |
| 1925 | Cradle Snatchers Music Box Theatre · Original · directed by Sam Forrest | 478 perf. |
| 1928 | Rosalie New Amsterdam Theatre · Original · directed by William Anthony McGuire | 335 perf. |
| 1930 | Who Cares Chanins 46th Street Theatre · Original · directed by George Vivian | 32 perf. |
| 1931 | The Sex Fable Henry Millers Theatre · Original | 33 perf. |
| 1932 | Dinner at Eight Music Box Theatre · Original · directed by Robert B. Sinclair | 232 perf. |
| 1933 | The Dark Tower Morosco Theatre · Original | 57 perf. |
| 1935 | The Old Maid Empire Theatre · Original · directed by Guthrie McClintic | 305 perf. |
| 1941 | Lady in the Dark Alvin Theatre · Original · directed by Hassard Short, Moss Hart | 467 perf. |
| 1943 | Lady in the Dark Broadway Theatre · Revival · directed by Albertina Rasch | 83 perf. |
| 1944 | The Late George Apley Lyceum Theatre · Original | 384 perf. |
| 1948 | Town House National Theatre · Original · directed by George S. Kaufman | 12 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Margaret Anglin | 5 productions |
| W H Crompton | 4 productions |
| Robert Schable | 4 productions |
| John Drew | 4 productions |
| Guy Standing | 4 productions |
| George Osbourne | 4 productions |
| Frank Brownlee | 4 productions |
| Ethel Hornick | 4 productions |
| Charles Richman | 4 productions |
| Mrs Thomas Whiffen | 3 productions |
| Lewis Baker | 3 productions |
| E y Backus | 3 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 12 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature6 passages
- Cast: Vivienne Segal, Carl Randall, Harry C. Browne, Carroll McComas, Edward Abeles, Florence Shirley, Margaret Dale, Constance Binneyebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Gertrude Lawrence, Victor Mature, Danny Kaye, Macdonald Carey, Bert Lytell, Evelyn Wyckoff, Margaret Dale, Ron Fieldebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- and Margaret Dale in “Good Morning, Judge.” “Happy Days” was the Hippodrome show with Clyde Cook and the Hanneford Family; “Ziegfeld Midnight Frolic” featured Francestheatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Margaret Dale, Conway Tearle, Sam Levene, Olive Wyndham | and Constance Collier. Also well patronized was Rachel Crothers’ “When Ladies Meet” with Frieda Inescort, Walter Abel, Selenatheatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- “Jacobowsky and the Colonel” with Louis Calhern, Oscar Karlweis and Annabella; “The Late George Apley” with Leo G. Carroll, Janet Beecher, Margaret Dale and Margaret Phillips; “Over 21,” a comedy by and with Ruth Gordon; and “Wallflower,” a comedy by Reginald Denham and actress Mary Orr who also appeared in it. Ethel Barrymore played in “…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- MARGARET DALE, 96, retired Bdwy leading lady, died in a NYC hospital on Mar. 23, 1972. She co-starred with George and John Drew, and played character Her most memorable roles were in "Disraeli," "The Master," "The Importance of Being Earnest," "The Mummy and the Humming Bird." "Thetheatre-pdfs/Theatre World/Theatre World, 1971-72 Season, v. 28 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.