On stage 12 productions, 21 years
| 1925 | The Devil to Pay 52nd Street Theatre · Original · directed by Edward T. Goodman | 11 perf. |
| 1926 | The Unchastened Woman Princess Theatre · Revival · directed by Margaret Wycherly | 31 perf. |
| 1927 | Loud Speaker 52nd Street Theatre · Original · directed by Harry Wagstaff Gribble | 42 perf. |
| 1927 | Off-Key Belmont Theatre · Original | 16 perf. |
| 1927 | Wall Street Hudson Theatre · Original · directed by Edward Goodman | 21 perf. |
| 1936 | The Women Ethel Barrymore Theatre · Original · directed by Robert B. Sinclair | 657 perf. |
| 1940 | Out From Under Biltmore Theatre · Original · directed by Antoinette Perry | 9 perf. |
| 1941 | Eight O'Clock Tuesday Henry Millers Theatre · Original | 16 perf. |
| 1942 | The Damask Cheek Playhouse Theatre · Original | 93 perf. |
| 1942 | Yesterday's Magic Guild Theatre · Original · directed by Reginald Denham | 55 perf. |
| 1944 | Bloomer Girl Shubert Theatre · Original · directed by E. Y. Harburg, William Schorr | 654 perf. |
| 1946 | The Fatal Weakness Royale Theatre · Original | 119 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once4 names
| Celeste Holm | 3 productions |
| Seth Kendall | 2 productions |
| Mckay Morris | 2 productions |
| Arthur Hughes | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature4 passages
- Cast: Celeste Holm, David Brooks, Dooley Wilson, Joan McCracken, Richard Huey, Margaret Douglass, Mabel Taliaferro, Matt Briggs, Herbert Rossebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Bloomer Girl. Joan McCracken showing off her bloomers to Margaret Douglass and Celeste Holm. (Vandamm)ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- McCracken, David Brooks and Margaret Douglass. Other hits were “Mexican Hayride” with Bobby Clark, June Havoc, Wilbur Evans and Paul Haakon; “Laffing Room Only” with Olsen and Johnson; and “On the Town” with Betty Comden, Adolph Green, Nancy Walker, Cris Alexander, Sono Osato and John Battles. Beatrice Lillie, Bert Lahr, and Alicia Markov…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- has stolen, and Woody Mahoney, the leader of a group Bloomer Girl, with (1. to r. Celeste Holm as Evelina, Margaret Douglass as Dolly, and Joan McCracken as Daisy New York, Shubert Theatre, 1944. [Photograph by Vandamm. Theatre Collection, The New York Public Library at Lincoln Center, Astor, Lenox and Tilden Foundations] )theatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 3 (I-N).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.