Also credited on2 works
Rodgers + Hammerstein's Cinderella
Cry-Baby
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- I didn’t really know Mark Brokaw, the director, or Rob Ashford, the choreographer, that well. I was the ensemble guy they had given a chance to, and I was like, “Can I have some time off from your important preview process of your multi-million dollar show to go do my little show that you don’t know anything about?” They were truly awesom…ebooks/Tepper, Jennifer/Untold Stories of Broadway, Part 1, The - Jennifer Tepper.txt
- Tuesday, Nov. 8—Dec. 18, 1988 (43 performances) THE RIMERS OF ELDRITCH by Lanford Wilson; Director, Mark Brokaw; Set, Santo Loquasto; Lighting, Jennifer Tipton; Costumes, Ellen McCartney; Sound, Aural Fixation; Hairstylist, Antonio Soddu; Company Manager, Carol Bixler; Technical Director, Pat Heidenberg; Wardrobe, William Neish; Stage Man…theatre-pdfs/Theatre World/Theatre World, 1988-89 Season, v. 45 (Willis).txt
- Tuesday, March 26—June 23, 1991 (106 performances) THE GOOD TIMES ARE KILLING ME by Lynda Barry; Director, Mark Brokaw; Sets, Rusty Smith; Lighting, Don Holder; Costumes, Ellen McCartney; Sound, Janet Kalas; Hairstylist, Antonio Soddu, Musical Director, Steve Sandberg; Choreography, Don Philpott; Stage Managers, James Fitzsimmons, Lori Lu…theatre-pdfs/Theatre World/Theatre World, 1990-1991 Season, v. 47 (Willis).txt
- THE GOOD TIMES ARE KILLING ME by Lynda Bamy; Director, Mark Brokaw; Sets, Rusty Smith; Lighting, Don Holder; Costumes, Ellen McCartney; Sound, Janet Kalas; Hairstylist, Antonio Soddu; Music Coordinator/Vocal Arrangements, Steve Sandberg; Script Consultant, Erin Sanders; Executive Producer, Brian Sewell; General Manager, Maria Di Dia; Stag…theatre-pdfs/Theatre World/Theatre World, 1991-1992 season, v. 48 (Willis).txt
- THE INNOCENT’S CRUSADE by Keith Reddin; Director, Mark Brokaw; Sets, Bill Clarke; Costumes, Ellen McCartney; Lighting, Michael R. Moody; Sound, Janet Kalas; Stage Manager, James Fitzsimmons CAST: Stephen Mailer (Bill), Harriet Harris (Ms. Connell/Waitress/Ms. Cabot/Wendy/Helen), James Rebhorn (Karl), Debra Monk (Mame), Tim Blake Nelson (T…theatre-pdfs/Theatre World/Theatre World, 1992-93 Season, v. 49 (Willis).txt
- WAKE UP, I’M FAT; Written/Performed by Camryn Manheim; Director, Mark Brokaw; Set, Allen Moyer; Lighting, Kenneth Posner; Sound, Janet Kalas; Stage Manager, Michael F. Ritchie A comic monologue on the journey of being overwight.theatre-pdfs/Theatre World/Theatre World, 1995-96 Season, v.52 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.