Theatre Register

Mary Ellis

Shows · Mary Ellis

Actor 1897–2003 On stage 19221932

Mary Ellis (born May Belle Elsas; June 15, 1897 – January 30, 2003) was an American actress and singer who spent most of her career in Britain. Trained as a lyric soprano, she began performing at the Metropolitan Opera where she created the role of Genovieffa in the world premiere of Giacomo Puccini's Suor Angelica in 1918. In 1924, she originated the title role in Rudolf Friml's operetta Rose-Marie at Broadway's Imperial Theatre. Other Broadway parts included Shakespeare roles such as Kate in The Taming of the Shrew. After immigrating to England in 1930, Ellis performed in musicals in London's West End. She achieved enduring fame in the leading roles of the original productions of two Ivor…

On stage 14 productions, 10 years

1922 The Merchant of Venice Lyceum Theatre · Revival 92 perf.
1923 Casanova Empire Theatre · Original 77 perf.
1924 Merry Wives of Gotham Henry Millers Theatre · Original 96 perf.
1924 Rose-Marie Imperial Theatre · Original · directed by Paul Dickey 557 perf.
1925 The Dybbuk Neighborhood Playhouse · Original · directed by David Vardi 120 perf.
1926 The Humble Greenwich Village Theatre · Original · directed by Bertram Forsyth 21 perf.
1926 The Romantic Young Lady Neighborhood Playhouse · Original · directed by Agnes Morgan 25 perf.
1927 Artists and Models [1927] Winter Garden Theatre · Original · directed by J. C. Huffman 151 perf.
1927 The Crown Prince Forrest Theatre · Revival · directed by Lawrence Marston 45 perf.
1927 The Taming of the Shrew Garrick Theatre · Revival · directed by H. K. Ayliff 175 perf.
1928 12,000 Garrick Theatre · Original · directed by Basil Sydney 64 perf.
1929 Becky Sharp Knickerbocker Theatre · Revival · directed by Dudley Digges 8 perf.
1929 Meet the Prince Lyceum Theatre · Original · directed by Basil Sydney 96 perf.
1932 Jewel Robbery Booth Theatre · Original 54 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Basil Sydney 5 productions
Robert Vivian 3 productions
Junius Matthews 3 productions
Ian Maclaren 3 productions
Vera Allen 2 productions
Paula Trueman 2 productions
Otto Hulicius 2 productions
Moffat Johnston 2 productions
Marc Loebell 2 productions
Lillian Brennard Tonge 2 productions
Judith Vosselli 2 productions
John Mcgovern 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 11 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

In the literature8 passages

  • The musical was a hit in London, opening at His Majesty’s Theatre on May 19, 1933, for 275 performances and starring Mary Ellis, Broadway’s original Rose-Marie. A 1935 film version by Fox starred Gloria Swanson, and Al Shean reprised his role from the original production.ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Cast: Mary Ellis, Dennis King, William Kent, Dorothy Mackaye, Eduardo Ciannelli, Pearl Regay, Arthur Deagonebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
  • It lasts for three long hours. There is not one memorable tune in it, though some of the lyrics show that Coward is still capable of deliciously funny lines – if only they were audible. The cast are modern and completely lacking in any sense of period style. Both men and women move badly. Only Mary Ellis and Irene Browne know how to wear…ebooks/Wright, Adrian/Tanner's Worth of Tune_ Rediscovering the post-war British Musical, A - Adrian Wright.txt
  • After the Ball Music, lyrics and book by Noel Coward, based on the play Lady Windermere’s Fan by Oscar Wilde. Globe Theatre, 10 June 1954. PC: Mary Ellis, Vanessa Lee, Graham Payn, Peter Graves, Shamus Locke. MN: Oh, What a Century It’s Been; I Knew That You Would Be My Love; Mr Hopper’s Chanty; Sweet Day; Stay on the Side of the Angels;…ebooks/Wright, Adrian/Tanner's Worth of Tune_ Rediscovering the post-war British Musical, A - Adrian Wright.txt
  • Arc de Triomphe Music and book by Ivor Novello; lyrics by Christopher Hassall. Phoenix Theatre, 9 November 1943. PC: Mary Ellis, Peter Graves, Elisabeth Welch, Raymond Lovell, Olive Gilbert. MN: Prelude; Shepherd Song; Man of My Heart; Easy to Live With; I Wonder Why; Apache Ballet; Josephine; Waking or Sleeping; Royal France; Paris Remin…ebooks/Wright, Adrian/Tanner's Worth of Tune_ Rediscovering the post-war British Musical, A - Adrian Wright.txt
  • The Dancing Years Music and lyrics by Ivor Novello; lyrics by Christopher Hassall. Theatre Royal, Drury Lane, 23 March 1939. PC: Ivor Novello, Mary Ellis, Roma Beaumont, Olive Gilbert. MN: Dawn Prelude; Uniform; Waltz of My Heart; Masque of Vienna 1911; The Wings of Sleep; Lorelei [including My Life Belongs to You]; I Can Give You the Sta…ebooks/Wright, Adrian/Tanner's Worth of Tune_ Rediscovering the post-war British Musical, A - Adrian Wright.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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