Theatre Register

Mary Rodgers

Shows · Mary Rodgers

Composer 1931–2014 On stage 1973

Mary Rodgers (January 11, 1931 – June 26, 2014) was an American composer, screenwriter, and author. She wrote the 1972 novel Freaky Friday, which served as the basis of a 1976 film starring Jodie Foster, for which she wrote the screenplay, as well as three other versions. Her best-known musicals were Once Upon a Mattress and The Mad Show, and she contributed songs to Marlo Thomas' successful 1972 children's album Free to Be... You and Me.

On stage 1 production

1973 Sondheim: A Musical Tribute Shubert Theatre · Original · directed by Burt Shevelove

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on3 works

Once Upon A Mattress
Working
Once Upon a Mattress (2024 Revival)

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • 40 Mary Rodgers (b. 1931), American composer and author. She is the daughter of Richard Rodgers. A graduate of Wellesley College, where she majored in music, Rodgers had a Broadway hit in 1959 with Once Upon a Mattress. She worked as assistant to the producer of Bernstein's Young People's Concerts. In 1972 she published her first children…ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
  • Rodgers, Richard. Musical Stages: An Autobiography . New York: Random House, 1975; repr. with an introduction by Mary Rodgers. New York: Da Capo, 1995, 2000.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
  • I owe a great deal to Mary Rodgers Guettel and Hank Guettel. As they made their brief but important appearances in this story, who knew how important they would become to me? Were it not for the friendship between the Guettels and the Chapins, I have no idea what my professional life would be today. It was Mary who phoned me one day in 19…ebooks/Chapin, Ted/Everything Was Possible_ The Birth of the Musical Follies (Applause Books) - Ted Chapin.txt
  • Warner Bros. Publications U.S. Inc.: Excerpt from the song lyric “The Boy From . . .” from The Mad Show , lyrics by Stephen Sondheim, music by Mary Rodgers. Copyright © 1966 (Renewed) and 1977 by Burthen Music Company, Inc. International copyright secured. All rights reserved. Reprinted by permission of Warner Bros. Publications U.S. Inc.ebooks/Chapin, Ted/Everything Was Possible_ The Birth of the Musical Follies (Applause Books) - Ted Chapin.txt
  • Mary Rodgers, who, with Martin Charnin wrote Hot Spot (1963) a musical about the Peace Corps, when interviewed, told how she met her lyricist-collaborator:ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
  • 143 Mary Rodgers, an eminent composer herself, says her father told her, he never wrote more than was called for in the libretto, except when they were on the road, making changes.ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record — composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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