On stage 25 productions, 46 years
| 1880 | Boccaccio Standard Theatre · Original · directed by Max Freeman | 44 perf. |
| 1882 | The Queen's Lace Handkerchief Casino Theatre · Return-Engagement | 130 perf. |
| 1883 | The Beggar Student Casino Theatre · Original · directed by Jesse Williams | 110 perf. |
| 1883 | The Queen's Lace Handkerchief Casino Theatre · Return-Engagement | 130 perf. |
| 1887 | Jacquette Wallacks Theatre · Original | 21 perf. |
| 1887 | Lorraine Star Theatre · Original | 14 perf. |
| 1887 | The Black Hussar Wallacks Theatre · Revival | 24 perf. |
| 1895 | Trilby Garden Theatre · Original · directed by Eugene W. Presbrey | 208 perf. |
| 1899 | Children of the Ghetto Herald Square Theatre · Original · directed by James A. Herne | 49 perf. |
| 1901 | The Girl and the Judge Lyceum Theatre · Original | 125 perf. |
| 1903 | Mam'selle Napoleon Knickerbocker Theatre · Original | 43 perf. |
| 1905 | Her Great Match Criterion Theatre · Original | 93 perf. |
| 1905 | Once Upon a Time Berkeley Lyceum Theatre · Original | 8 perf. |
| 1905 | Trilby New Amsterdam Theatre · Revival | 24 perf. |
| 1907 | The Step-Sister Garrick Theatre · Original | 14 perf. |
| 1907 | The Toymaker of Nuremberg Garrick Theatre · Original | 24 perf. |
| 1908 | The Jesters Empire Theatre · Original | 53 perf. |
| 1908 | The Man Who Stood Still Circle Theatre · Original | 61 perf. |
| 1910 | The Cheater Lyric Theatre · Original | 78 perf. |
| 1912 | Elevating a Husband Liberty Theatre · Original | 120 perf. |
| 1916 | Object - Matrimony Cohan And Harris · Original | 30 perf. |
| 1919 | His Honor: Abe Potash Bijou Theatre · Original | 215 perf. |
| 1922 | Abie's Irish Rose Fulton Theatre · Original · directed by Laurence Marston | 2,327 perf. |
| 1923 | The Good Old Days Broadhurst Theatre · Original · directed by Howard Lindsay | 71 perf. |
| 1926 | Potash and Perlmutter, Detectives Ritz Theatre · Original · directed by Bertram Harrison | 47 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Harry Standish | 4 productions |
| Annette Hall | 4 productions |
| Wilton Lackaye | 3 productions |
| Signor Perugini | 3 productions |
| John Glendinning | 3 productions |
| Grace Seavey | 3 productions |
| Emily Ann Wellman | 3 productions |
| DeWolf Hopper | 3 productions |
| W Taylor | 2 productions |
| Virginia Harned | 2 productions |
| Tillie Frank | 2 productions |
| Rosa Rand | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 11 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.