Matt Mattox

On stage 4 productions, 6 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once5 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 4 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on8 works

What Makes Sammy Run?
I’d Rather Be Right
Golden Boy
Raisin
Sophisticated Ladies
West Side Story
Say, Darling
Jennie

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Act One: “Ring the Bell” (Roy Roberts, Paul Lipson, Bobby Vail, Paul Reed, Lee Goodman, Kevin Scott, Pat Stanley, Ensemble); “The Very Necessary You” (Kevin Scott, Pat Stanley); “It’s a Fine Old Institution” (Dolores Gray); “I’m One of Your Admirers” (Dolores Gray); “The Plundering of the Town” (Dolores Gray, Matt Mattox, George Martin, E…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act Two: “Four Little Misfits” (Patricia Hammerlee, Bibi Osterwald, Robert Rippy, Matt Mattox); “Samson and Delilah” (Carol Channing, Matt Mattox, Steve Reeves, David Kashner, David Neuman, Cathryn Damon, Movie Company); “Why Does It Have to Be You?” (David Atkinson); “Ragtime Romeo” (Bibi Osterwald, Matt Mattox, Boys); “I’m Everybody’s B…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Cast : Tallulah Bankhead , Carol Haney, Joan Diener, David Burns, Mae Barnes, Elliott Reid, Matt Mattox; Ensemble: Adrienne Angel, Bea Arthur, Herb Banke, Lee Becker (Theodore), Hank Brunjes, Don Crichton, Drusilla Davis, Burnell Dietsch, Mary Jane Doerr, Pat Gaston, Timothy Gray, Gwen Harmon, John Harmon, Jay Harnick, Stuart Hodes, Mildr…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Cast : David Atkinson (Tommy Albright), Scott McKay (Jeff Douglas), Elliott Sullivan (Archie Beaton), Harry Beaton (Matt Mattox), Guy Gordon (Angus MacGuffie), John Dorrin (Sandy Dean), Russell Gaige (Andrew MacLaren), Virginia Oswald (Fiona MacLaren), Virginia Bosler (Jean MacLaren), Helen Gallagher (Meg Brockie), Robert Rounseville (Cha…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act One: “Once in the Highlands” (Chorus); “Brigadoon” (Chorus); “Down on MacConnachy Square” (John Dorrin, Helen Gallagher, Townsfolk); “Waitin’ for My Dearie” (Virginia Oswald, Girls); “I’ll Go Home with Bonnie Jean” (Robert Rounseville, Townsfolk; danced by Lidija Franklin, Matt Mattox, Fishmongers, Dancers); “The Heather on the Hill”…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• The cast of the 1957 revival included David Atkinson (Tommy), Robert Rounseville (Charlie), Helen Gallagher (Meg), Scott McKay (Jeff), Matt Mattox (Harry Beaton), and Virginia Oswald (Fiona), who reprised her role from City Center’s 1950 production.ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — choreographer, actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.