Theatre Register

Melville Cooper

Shows · Melville Cooper

Actor 1896–1973 On stage 19351970

George Melville Cooper (15 October 1896 – 13 March 1973) was an English actor. His many notable screen roles include the High Sheriff of Nottingham in The Adventures of Robin Hood (1938), Mr. Collins in Pride and Prejudice (1940) and the wedding-rehearsal supervisor Mr. Tringle in Father of the Bride (1950).

On stage 18 productions, 35 years

1935 Jubilee Imperial Theatre · Original · directed by Hassard Short, Monty Woolley 169 perf.
1935 Laburnum Grove Booth Theatre · Original · directed by Lewis Allen 131 perf.
1943 The Merry Widow Majestic Theatre · Revival · directed by Felix Brentano 322 perf.
1944 The Maid as Mistress / The Secret of Suzanne Alvin Theatre · Revival 2 perf.
1944 While the Sun Shines Lyceum Theatre · Original · directed by George S. Kaufman 39 perf.
1945 Pygmalion Ethel Barrymore Theatre · Revival · directed by Cedric Hardwicke 179 perf.
1945 The Firebrand of Florence Alvin Theatre · Original · directed by John Murray Anderson 43 perf.
1946 Gypsy Lady Century Theatre · Original · directed by Edgar MacGregor 79 perf.
1946 The Haven Playhouse Theatre · Original · directed by Clarence Derwent 5 perf.
1947 An Inspector Calls Booth Theatre · Original · directed by Cedric Hardwicke 95 perf.
1950 The Day After Tomorrow Booth Theatre · Original 12 perf.
1950 The Liar Broadhurst Theatre · Revival · directed by Alfred Drake 12 perf.
1951 Make A Wish Winter Garden Theatre · Original · directed by John C. Wilson 102 perf.
1952 Much Ado About Nothing Music Box Theatre · Revival · directed by Antony Eustrel 4 perf.
1953 Escapade 48th Street Theatre · Original 13 perf.
1956 My Fair Lady Mark Hellinger Theatre · Original · directed by Moss Hart 2,717 perf.
1966 Hostile Witness Music Box Theatre · Original · directed by Reginald Denham 156 perf.
1970 Charley's Aunt Brooks Atkinson Theatre · Revival · directed by Harold Stone 9 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Viola Roache 2 productions
Valerie Cossart 2 productions
Stanley Zompakos 2 productions
Rex Thompson 2 productions
Ralph Sumpter 2 productions
Ralph Dumke 2 productions
Peter Pagan 2 productions
Olive Reeves Smith 2 productions
Michael Allinson 2 productions
Margery Maude 2 productions
Lisette Verea 2 productions
John Moore 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 11 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

Robin Hood

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • Being set in Italy may have doomed the musical, but the presence of Melville Cooper in the cast didn’t help. Cooper always delighted the critics, but he was in an inordinate number of musical failures. Despite their glorious scores, Jubilee (1935) and The Firebrand of Florence (1945) had disappointing runs, and Cooper’s other musicals wer…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Janette meets a would-be amorous theatrical impresario (Melville Cooper), a dancer from Texas (Harold Lang), his saucy dancer-girlfriend (Helen Gallagher), and poor-but-honest lawyer (Stephen Douglass) with whom she falls in love. Perhaps casting Fabray as a young orphan was the first mistake. She was thirty at the time, and photographs f…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Cast : Jose Duval (The King, Gaston), Melville Cooper (Popoff), Alex Alexander (Cascada), Helena Scott (Natalie), C. K. Alexander (Khadja), Lucy Hillary (Olga Bardini), George Lipton (General Bardini), Lewis Brooks (Novakovich), Jim Hawthorne (Jolidon), Sonja Savig (Guest), Casper Roos (Guest), Norman Budd (Nish), Marta Eggerth (Sonia), W…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • One of the most popular revivals opened at the Majestic Theatre on August 4, 1943, for 322 performances and starred Marta Eggerth, Jan Kiepura, and Melville Cooper (Popoff), all of whom reprised their roles for the 1957 production at City Center. Sidney Shelton and Ben Roberts’s book for the 1943 production was used for the current reviva…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Cast : Jack Carter (Actor-Manager, Sgnarelle), Jayne Turner (Lucinda), Allen Case (Leander), Melville Cooper (Geronte), William Olvis (Horace), Susan Johnson (Jacqueline), Virginia Martin (Lizette), Rosemary O’Reilly (Fleurette), Michael Kermoyan (Lucas), Jack Bittner (Thibaut), James Tushar (Perrin), Billie Worth (Martina), Craig Timberl…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Cast: Mary Boland, June Knight, Melville Cooper, Charles Walters, Derek Williams, Mark Plant, Montgomery Clift, May Boley, Margaret Adamsebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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