On stage 1 production
| 1921 | Get Together Hippodrome Theatre · Original · directed by R.H. Burnside | 397 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Also credited on2 works
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature1 passages
- emotional range and surer artistic effect, Charles Weidman’s most thoughtful solo suite, On My Mother's Side, and the revival of Doris Humphrey’s The Shakers. Then the Ballet Theatre, invading Center Theatre with eleven choreographers, thirtyfive principal and solo dancers, a new corps de ballet, such designers as Boris \ronson, Lucinda B…theatre-pdfs/sim_theatre-arts_1940-03_24_3.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.