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Molly Picon

Shows · Molly Picon

Actor 1898–1992 On stage 19401977

Molly Picon (Yiddish: מאָלי פּיקאָן; Malka Opiekun; February 28, 1898 – April 5, 1992) was an American actress of stage, screen, radio and television, as well as a lyricist and dramatic storyteller. She began her career in Yiddish theatre and film, rising to a star, before transitioning into character roles in English-language productions. She is most widely known for her role as Yente the Matchmaker in the 1971 musical film Fiddler on the Roof.

On stage 7 productions, 37 years

1940 Morning Star Longacre Theatre · Original · directed by Charles K. Freeman 63 perf.
1948 For Heaven's Sake, Mother! Belasco Theatre · Original 7 perf.
1961 Milk and Honey Martin Beck Theatre · Original · directed by Albert Marre 543 perf.
1966 Chu Chem Locust Theatre · Original · directed by Albert Marre
1967 How to Be a Jewish Mother Hudson Theatre · Original · directed by Avery Schreiber 20 perf.
1970 Paris Is Out! Brooks Atkinson Theatre · Original · directed by Paul Aaron 96 perf.
1977 Something Old, Something New Morosco Theatre · Original · directed by Robert H. Livingston 1 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

In the literature8 passages

  • Molly Picon in Milk and Honey She was the star of Second Avenue’s Yiddish theater scene in the 1920s. But in 1961, Molly Picon moved up six avenues to Eighth Avenue and Forty-fifth Street to portray an endearing but determined widow who sought a second husband, inebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
  • Although she had been for decades “The Queen of Second Avenue”—referring to the home of Yiddish-speaking theater—Molly Picon (1898–1992) had made only three Broadway appearances in her first fifty years.ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
  • For $1.50 we’d see a movie like Stage Door Canteen, followed by six or eight acts of vaudeville with performers like Molly Picon or Jack Carter. Once I saw Georgia Gibbs open for Danny Kaye. We’d have dinner in one of those places they called fancy Chinese restaurants: Ruby Foo’s or Old China. But there were many other places: Toffenetti’…ebooks/Frommer, Myrna Katz & Frommer, Harvey/It Happened on Broadway_ An Oral History of the Great White Way - Myrna Katz Frommer & Harvey Frommer.txt
  • Cast: Robert Weede, Mimi Benzell, Molly Picon, Tommy Rail, Lanna Saunders, Juki Arkinebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
  • Her problems continued after she was hired, as well. “Jerome Robbins didn’t like her at all,” said Elisa Stein. “He wanted a Molly Picon type, and he argued with Joe to cut down her lines more and more.”ebooks/Isenberg, Barbara/Tradition!_ The Highly Improbable, Ultimately Triumphant Broadway-to-Hollywood Story of Fiddler on the Roof, the World's Most Beloved Musical - Barbara Isenberg.txt
  • Jewison had hired Molly Picon, the Yiddish theater and film star, as Yente the matchmaker, “because of her reputation,” he said. “She was a natural.” So, he added, was the actor and acting teacher Paul Mann, who was cast as the butcher, Lazar Wolf. Mann, an early member of the Group Theatre, founded the Paul Mann Actors Workshop in 1952,…ebooks/Isenberg, Barbara/Tradition!_ The Highly Improbable, Ultimately Triumphant Broadway-to-Hollywood Story of Fiddler on the Roof, the World's Most Beloved Musical - Barbara Isenberg.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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