On stage 4 productions, 3 years
| 1942 | The Skin of Our Teeth Plymouth Theatre · Original · directed by Elia Kazan | 359 perf. |
| 1944 | War President Shubert Theatre · Original · directed by Wendell K. Phillips | 2 perf. |
| 1945 | Hamlet Columbus Circle · Revival · directed by George Schaefer | 131 perf. |
| 1945 | It's a Gift Playhouse Theatre · Original · directed by Robert Henderson | 47 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Direction : Morton Da Costa; Producers : Richard Kollmar and James W. Gardiner in association with Yvette Schumer; Choreography : Helen Tamiris; Scenery and Costumes : Raoul Pene du Bois; Lighting : Peggy Clark; Musical Direction : Franz Allersebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Direction : Morton Da Costa; Producers : Kermit Bloomgarden with Herbert Greene in association with Frank Productions, Inc.; Choreography : Onna White; Scenery and Lighting : Howard Bay; Costumes : Raoul Pene du Bois; Musical Direction : Herbert Greeneebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- The delightful and very faithful film version was released by Warner Brothers in 1962 with Morton Da Costa reprising his original direction. Robert Preston and Pert Kelton were back in their original roles, and others in the cast were Shirley Jones (Marian), Paul Ford (Major Shinn [Ford had succeeded David Burns during the original Broadw…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- 75. Wayne Robinson, “Willson’s ‘Music Man’ on Shubert Stage,” review of The Music Man , book, music, and lyrics by Meredith Willson, directed by Morton da Costa, Shubert Theatre, Philadelphia, PA, Evening Bulletin , n.d. (from clippings file).ebooks/Hoffman, Warren/Great White Way_ Race and the Broadway Musical, The - Warren Hoffman.txt
- 76. Brooks Atkinson, review of The Music Man, book, music, and lyrics by Meredith Willson, directed by Morton da Costa, Majestic Theatre, New York, New York Times , December 20, 1957.ebooks/Hoffman, Warren/Great White Way_ Race and the Broadway Musical, The - Warren Hoffman.txt
- By the time Hot Spot ’s tryout was over, Holliday had given up all hope. Original director Morton Da Costa had become ill and withdrawn from the show, and Holliday’s choice for a replacement, Richard Quine (who had directed her in two pictures), came in, then quickly fled. Herbert Ross eventually took over the direction and choreography (…ebooks/Mandelbaum, Ken/Not Since Carrie_ Forty Years of Broadway Musical Flops - Ken Mandelbaum.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.