Norman Lloyd

On stage 11 productions, 30 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

The Golden Apple

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature7 passages

• How are you in general? Is Bennington decided upon? I haven't seen Norman Lloyd 25 since I talked with Davis, but I'll mention you to him when I do.ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
• 25 Copland's mention of Bennington is presumably a reference to Bennington College in Vermont. Norman Lloyd (b. 1914), American actor, a member of the Mercury Theatre founded by Orson Welles and John Houseman.ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
• Direction : Norman Lloyd; Producers : Alfred de Liagre Jr., and Roger L. Stevens in association with T. Edward Hambleton and Norris Houghton (A Phoenix Theatre Production); Choreography : Hanya Holm; Scenery : William and Jean Eckart; Costumes : Alvin Colt; Lighting : Klaus Holm; Musical Direction : Hugh Rossebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Before the Broadway opening, director Norman Lloyd left the production and thus no director was listed in the program, which noted the production was “supervised” by Sawyer Falk (John McClain in the New York Journal-American said Shinbone Alley was “the first show in recent memory which apparently staged itself”). During the run, the prog…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Jigee Viertel, somehow beautiful, not interested in the game at the Chaplins' court. In the background, Norman Lloyd and me.ebooks/Laurents, Arthur/Original Story By_ A Memoir of Broadway and Hollywood - Arthur Laurents.txt
• With no road tryout, Shinbone Alley began performances on Broadway; director Norman Lloyd, who had staged The Golden Apple three years earlier, removed his name after clashing with the writers and the producer. Most critics felt that Marquis’ writing defied musicalization, and competition from such shows as My Fair Lady, Bells Are Ringing…ebooks/Mandelbaum, Ken/Not Since Carrie_ Forty Years of Broadway Musical Flops - Ken Mandelbaum.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.