On stage 7 productions, 24 years
| 1984 | The Human Comedy Royale · Original · directed by Wilford Leach | 13 perf. |
| 1987 | Les Misérables Broadway Theatre · Original · directed by Trevor Nunn & John Caird | 6,680 perf. |
| 1987 | Les Miserables Broadway Theatre · Original · directed by Trevor Nunn & John Caird | 6,680 perf. |
| 2001 | Mamma Mia ! Winter Garden Theatre · Original · directed by Phyllida Lloyd | 5,758 perf. |
| 2002 | Man of La Mancha Martin Beck Theatre · Revival · directed by Jonathan Kent | 304 perf. |
| 2004 | Reckless Biltmore Theatre · Original · directed by Mark Brokaw | 77 perf. |
| 2008 | In the Heights Richard Rodgers Theatre · Original · directed by Thomas Kail | 1,184 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Stephen Bogardus | 3 productions |
| Olivia Oguma | 3 productions |
| Michael X. Martin | 3 productions |
| Liz Mccartney | 3 productions |
| Joseph Kolinski | 3 productions |
| Gina Ferrall | 3 productions |
| David Mcdonald | 3 productions |
| Bill Carmichael | 3 productions |
| Willy Falk | 2 productions |
| William Solo | 2 productions |
| Wade Williams | 2 productions |
| Tregoney Shepherd | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Cast: Brian Stokes Mitchell, Mary Elizabeth Mastrantonio, Ernie Sabella, Stephen Bogardus, Mark Jacoby, Natascia Diaz, Don Mayo, Olga Merediz, Frederick B. Owens, Jaime Torocelliniebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Lin-Manuel Miranda, Andréa Burns, Janet Dacal, Robin De Jesús, Carlos Gomez, Mandy Gonzalez, Christopher Jackson, Priscilla Lopez, Olga Meredizebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Frances Asher, Ula Hedwig, Larry Marshall, Jossie de Guzman, Gail Boggs, Olga Merediz in "Lullabye and Goodnight" (Martba Swope Pboto)theatre-pdfs/Theatre World/Theatre World, 1981-82 Season, v. 38 (Willis).txt
- gram Lady), Neva Small (Waitress), Olga Merediz (Understudy) MUSICAL NUMBERS: Waiting for the Bus of Life, Don't Cry for Me, Lament, Oh William Morris, The Fashion Show, The Last Thing That I Want to Do Is Fall in Love, You'll Be Sorry, Tribute, Little Girl-Big Voice, I'm So Fat, The Uh Oh Could It Be That I'm an Oh No Tango, The Right Im…theatre-pdfs/Theatre World/Theatre World, 1982-83 Season, v. 39 (Willis).txt
- Shearman (Miguel Hernandez). Ron House (Senor E)on Pepe Hernandez). Olga Merediz (Maria Hernandez). Understudies: Emilio Del Pozo (Pepe), Don Stitt'Emilio Del Pozo (MiguelJuan). Cecilia Arana (Consuela/Maria). A musical revue performed without intermission.theatre-pdfs/Theatre World/Theatre World, 1985-86 Season, v. 42 (Willis).txt
- The action takes place in the late 1870's in a provincial Russian town. Alan Shearman (also above), Olga Merediz, Ron House, Diz White, Rodger Bumpass in "EI Grande de Coca-Cola" (Martha Swope Photos)theatre-pdfs/Theatre World/Theatre World, 1985-86 Season, v. 42 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.