Patricia Garland

On stage 4 productions, 5 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once6 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 5 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

In the literature8 passages

• Cast: Kelly Bishop, Pamela Blair, Wayne Cilento, Kay Cole, Patricia Garland, Baayork Lee, Priscilla Lopez, Robert LuPone, Donna McKechnie, Michel Stuart, Thommie Walsh, Sammy Williamsebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
• For Patricia Garland, Aldredge resurrected square-neck leotards, which had been discontinued. Donna McKechnie liked the color red and liked the way she looked in dance skirts, so Aldredge combined those two points into a costume. Cilento’s classically simple ensemble of boots, dance pants, and collared short-sleeved shirt translated into…ebooks/Viagas, Robert/B004CRTAGM EBOK - Robert Viagas & Baayork Lee & Thommie Walsh.txt
• Patricia Garland had a special stumbling block to overcome, since her sister Jacki had been a part of the taping sessions too, but had not passed the audition. “I think it was hard for my sister Jacki. You’re real happy for someone but there’s a lot of pain there. She didn’t say anything but she sent flowers and made it a very beautiful e…ebooks/Viagas, Robert/B004CRTAGM EBOK - Robert Viagas & Baayork Lee & Thommie Walsh.txt
• HOW MANY PEOPLE DO YOU WANT?: Patricia Garland’s role. Judy Turner, was patched together from lines that weren’t working elsewhere. Garland used humor to blend them into a single character.ebooks/Viagas, Robert/B004CRTAGM EBOK - Robert Viagas & Baayork Lee & Thommie Walsh.txt
• “We had been doing back-to-back shows on the weekends,” Patricia Garland remembers, “five shows, which was a killer. Then we had a week off, which wasn’t enough. I went to the Bahamas and just as I started to get relaxed we had to come back. I had loved the closeness of the Newman Theater. Any small intimate surrounding creates a differen…ebooks/Viagas, Robert/B004CRTAGM EBOK - Robert Viagas & Baayork Lee & Thommie Walsh.txt
• Patricia Garland found that the money brought some unexpected problems. “It was very exciting to be wealthy,” she said. “But I think it made it difficult in my relationship. Suddenly now the woman was in a better position than the man. Eventually I think it split us up. He could never meet that challenge.”ebooks/Viagas, Robert/B004CRTAGM EBOK - Robert Viagas & Baayork Lee & Thommie Walsh.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.