Theatre Register

Paul Kelly

Shows · Paul Kelly

OrchestratorOn stage 19181950

On stage 18 productions, 32 years

1918 Penrod Globe Theatre · Original · directed by Dudley Digges 48 perf.
1918 Seventeen Booth Theatre · Original 225 perf.
1921 Honors Are Even Times Square Theatre · Original 70 perf.
1922 Up the Ladder Playhouse Theatre · Original · directed by Lumsden Hare 117 perf.
1922 Whispering Wires 49th Street Theatre · Original · directed by J. C. Huffman 352 perf.
1923 Chains Playhouse Theatre · Revival 125 perf.
1924 Nerves Comedy Theatre · Revival 16 perf.
1924 The Lady Killer Morosco Theatre · Original 13 perf.
1925 The Sea Woman Little Theatre · Original · directed by William B. Friedlander 32 perf.
1930 Bad Girl Hudson Theatre · Original · directed by Marion Gering 85 perf.
1930 Nine-Fifteen Revue George M Cohans Theatre · Original · directed by Busby Berkeley 7 perf.
1931 Hobo Morosco Theatre · Original 5 perf.
1931 Just to Remind You Broadhurst Theatre · Original · directed by Melville Burke 16 perf.
1932 Adam Had Two Sons Alvin Theatre · Original · directed by Melville Burke 5 perf.
1932 The Great Magoo Selwyn Theatre · Original · directed by George Abbott 11 perf.
1945 Beggars Are Coming to Town Coronet Theatre · Original · directed by Harold Clurman 25 perf.
1947 Command Decision Fulton Theatre · Original · directed by John O'Shaughnessy 409 perf.
1950 The Country Girl Lyceum Theatre · Original 235 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once4 names

Victor Kilian 2 productions
Muriel Campbell 2 productions
Joan Harmon 2 productions
James Young 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 4 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

Swing!

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Birth or death year. Neither is on the record.
  • Any biography.
  • Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record — orchestrator — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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