Theatre Register

Paul Whiteman

Shows · Paul Whiteman

ComposerDirector 1890–1967 On stage 1923

Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American Jazz bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". His most popular recordings include "Whispering", "Valencia", "Three O'Clock in the Morning", "In a Little Spanish Town", and "Parade of the Wooden Soldiers". Whiteman led a usually large ensemble and explored many styles of music, such as blending symphonic music and jazz, as in his debut of Rhapsody in Blue by George Gershwin.…

On stage 1 production

1923 Ziegfeld Follies of 1923 New Amsterdam Theatre · Original · directed by Ned Wayburn 233 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on2 works

George White’s Scandals
Jumbo

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature6 passages

  • 21 . David Ewen writes that the Carousel waltzes were taken from a work called Waltz Suite that Paul Whiteman had commissioned but never performed (Ewen, Richard Rodgers , 239). Rodgers, who in his autobiography recalls two other associations with Whiteman in 1935 and 1936, is silent on this point.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
  • Cast: W. C. Fields, Winnie Lightner, Paul Whiteman Orchestra, Lester Allen, George White, Jack McGowan, Pearl Regay, Dolores Costelloebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
  • Cast: Jimmy Durante, Paul Whiteman Orchestra, Donald Novis, Gloria Grafton, A. P. Kaye, A. Robins, Poodles Hanneford, Big Rosie, Tilda Getzeebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
  • 92 . See, for example, Henry O. Osgood, So This Is Jazz (Boston: Little, Brown, 1926), 131, on claims that Paul Whiteman would make an “honest woman out of jazz.” The imagery linking jazz and womanhood went to sometimes absurd extremes. Lawrence Gilman, reviewing the premiere of Gershwin’s Concerto in F, cited Walter Damrosch’s extended m…ebooks/Magee, Jeffrey/Irving Berlin's American Musical Theater (Broadway Legacies) - Jeffrey Magee.txt
  • One of the great things about the house is that Jule Styne used to have his office in it. I used to walk underneath this long passageway from backstage, going all the way under the audience and coming out of the lobby at the back of the house. There was another little office off of that passageway and it had a sign that said “Property of…ebooks/Tepper, Jennifer Ashley/Untold Stories of Broadway, Part 2, The - Jennifer Ashley Tepper.txt
  • William Collier, Sam Bernard, Hazel Dawn and the Tiller Girls, and in the “Ziegfeld Follies” cast were Fannie Brice, Bert and Betty Wheeler, and Paul Whiteman and his orchestra.theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — composer, director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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