On stage 5 productions, 24 years
| 1950 | Arms and the Girl 46th Street Theatre · Revival · directed by Rouben Mamoulian | 134 perf. |
| 1950 | Guys and Dolls 46th Street Theatre · Original · directed by George S. Kaufman | 1,200 perf. |
| 1954 | The Pajama Game St. James Theatre · Original · directed by George Abbott & Jerome Robbins | 1,063 perf. |
| 1956 | Bells Are Ringing Shubert Theatre · Original · directed by Jerome Robbins | 924 perf. |
| 1974 | Jule's Friends at the Palace Palace Theatre · Original · directed by Fritz Holt | 1 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once11 names
| Ben Vargas | 3 productions |
| Ralph Farnworth | 2 productions |
| Philip Nasta | 2 productions |
| Onna White | 2 productions |
| Marc West | 2 productions |
| Jack Konzal | 2 productions |
| Helen Gallagher | 2 productions |
| Gordon Woodburn | 2 productions |
| Frank Derbas | 2 productions |
| Barbara Ferguson | 2 productions |
| Ann Wallace | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on8 works
Annie
Fiorello!
Irene
The Unsinkable Molly Brown
Bajour
Carmelina
Jimmy
Mr. President
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- When rehearsals began, I was mesmerized. They had brought in famed choreographer Peter Gennaro, added a few more chorus people, and Dorothy Loudon was now playing Miss Hannigan. When Sandy saw Andrea McArdle, he went crazy. He loved her so much. In fact, as happy as Sandy was with me, he seemed even happier to be back in a rehearsal room.…ebooks/Berloni, Bill/Broadway Tails_ Heartfelt Stories of Rescued Dogs Who Became Showbiz Superstars - Bill Berloni & Jim Hanrahan.txt
- Act Two: “Steam Heat” (Carol Haney, Buzz Miller, Peter Gennaro); “The World Around Us” (John Raitt, Janis Paige); “Think of the Time I Save” (Eddie Foy Jr., Girls); “Hernando’s Hideaway” (Carol Haney, John Raitt, Company); “Jealousy Ballet” (Eddie Foy Jr., Carol Haney, Reta Shaw, Boys); “7½ Cents” (Janis Paige, Stanley Prager, Girls, Boys…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Direction : John C. Wilson; Producers : Gant Gaither and William Bacher; Choreography : Peter Gennaro; Scenery and Costumes : Vertes; Lighting : Feder; Musical Direction : Max Methebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “Mu-Cha-Cha” (Judy Holliday, Peter Gennaro); Dance (Ellen Ray, Peter Gennaro, Dancers); “Just in Time” (Sydney Chaplin, Judy Holliday, Ensemble); “Drop That Name” (Judy Holliday, Ensemble); “The Party’s Over” (Judy Holliday); “Salzburg” (Jean Stapleton, Eddie Lawrence); “The Midas Touch” (Frank Green, Boys, Girls); “Long Before I…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Direction and Choreography : Jerome Robbins (Peter Gennaro, Co-Choreographer); Producers : Robert E. Griffith and Harold S. Prince by arrangement with Roger L. Stevens; Scenery : Oliver Smith; Costumes : Irene Sharaff; Lighting : Jean Rosenthal; Musical Direction : Max Gobermanebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Direction : George Abbott; Producers : Robert E. Griffith and Harold S. Prince; Choreography : Peter Gennaro; Scenery , Costumes , and Lighting : William and Jean Eckart; Musical Direction : Hal Hastingsebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — choreographer, actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.