On stage 6 productions, 16 years
| 1947 | Sweethearts Shubert Theatre · Revival · directed by John Kennedy | 288 perf. |
| 1949 | Gentlemen Prefer Blondes Ziegfeld Theatre · Revival · directed by John C. Wilson | 740 perf. |
| 1951 | Borscht Capades Royale Theatre · Original · directed by Mickey Katz | 99 perf. |
| 1952 | Pal Joey Broadhurst Theatre · Revival · directed by Robert Alton | 540 perf. |
| 1959 | Once Upon A Mattress Phoenix Theater · Original · directed by George Abbott | 460 perf. |
| 1963 | The Girl Who Came to Supper Broadway · Original · directed by Joe Layton | 112 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once6 names
| Patty Ann Jackson | 2 productions |
| Norma Thornton | 2 productions |
| Mary Martinet | 2 productions |
| Helen Wood | 2 productions |
| David Neuman | 2 productions |
| Betty O Neil | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 5 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.