Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature3 passages
- What’s more, as thrilling as Peter Martins’s choreography was, theatergoers didn’t want to lose Bernadette Peters after one act. The second half inevitably felt anticlimactic without her star presence. Having her walk across the stage in act two only underlined how much she was missed.ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
- ICEDANCING Choreographed by Jean-Pierre Bonnefous, Robert Cohan, John Curry, Norman Maen, Kenneth MacMillan, Peter Martins, Douglas Norwick, Donald Saddler, Twyla Tharp; Settings, Tony Straiges; Costumes Supervision, Florence Klotz; Lighting, Marilyn Rennagel; Costume Designs, Nadine Baylis, Sara Brook, Norberto Chiesa, Joe Eula, Florence…theatre-pdfs/Theatre World/Theatre World, 1978-79, v. 35 (Willis).txt
- SONG AND DANCE Music. Andrew Lloyd Webber; Lyrics, Don Black; American Adaptation, Additional Lyrics, and Direction, Richard Maltby, Jr.; Choreography, Peter Martins; Entire production supervised by Richard Maltby, Jr. and Peter Martins; Orchestrations, Andrew Lloyd Webber, David Cullen; Musical Adviser, David Caddick; Musical Supervision…theatre-pdfs/Theatre World/Theatre World, 1985-86 Season, v. 42 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Which of the credits above the roles on this record — choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.