On stage 5 productions, 13 years
| 1963 | Marathon '33 Anta Playhouse · Original · directed by Tim Everett | 48 perf. |
| 1967 | The Trial of Lee Harvey Oswald Anta Playhouse · Original · directed by Tunç Yalman | 9 perf. |
| 1968 | The Great White Hope Alvin Theatre · Original · directed by Edwin Sherin | 546 perf. |
| 1972 | That Championship Season Booth Theatre · Original · directed by A. J. Antoon | 700 perf. |
| 1976 | The Poison Tree Ambassador Theatre · Original · directed by Charles Blackwell | 5 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Ralph Waite | 2 productions |
| Dan Priest | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on2 works
The Best Little Whorehouse Goes Public
The Best Little Whorehouse in Texas
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- In William Goldman’s landmark work The Season —about the 1967–1968 semester—he devoted an entire chapter to struggling actor Peter Masterson.ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
- But as much of a boon as it was to Hall, it was a career changer for Peter Masterson. He’d later direct ten feature films, including The Trip to Bountiful, which won Geraldine Page an Oscar.ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
- Book writers Larry L. King and Peter Masterson, along with songwriter Carol Hall, worked hard to normalize the Chicken Ranch as “a green Texas glade where the trees were as coolin’ as fresh lemonade.”ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
- In early December, 1978, my client, writer/director/actor Peter Masterson — creator of the hit Broadway musical THE BEST LITTLE WHOREHOUSE IN TEXAS, and husband to Tony Award® -winning actress Carlin Glynn — called to say he was optioning fugitive Abbie Hoffman’s autobiography for development into a film or TV movie. The rights to Abbie’s…ebooks/Schulman, Susan L_/Backstage Pass to Broadway_ True Tales from a Theatre Press Agent - Susan L. Schulman.txt
- When Peter Masterson directed THE LAST OF THE KNUCKLEMEN off-Broadway, we came up with what we thought was a brilliant stunt to promote the play. The drama featured tough, realistic, carefully choreographed fight scenes performed by hunky young male actors. We decided to stage a mock fight alongside the TKTS booth in Times Square, where t…ebooks/Schulman, Susan L_/Backstage Pass to Broadway_ True Tales from a Theatre Press Agent - Susan L. Schulman.txt
- Other original Broadway book musical: The Best Little Whorehouse Goes Public, book by Larry King and Peter Masterson, music and lyrics by Carol Hall.ebooks/Singer, Barry/Ever After_ The Last Years of Musical Theater and Beyond - Barry Singer.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — composer, book writer, director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.