On stage 3 productions, 18 years
| 1956 | Li’l Abner St. James Theatre · Original · directed by Michael Kidd | 693 perf. |
| 1974 | Jule's Friends at the Palace Palace Theatre · Original · directed by Fritz Holt | 1 perf. |
| 1974 | Lorelei Palace Theatre · Revival · directed by Robert Moore | 320 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once3 names
| Tamara Long | 2 productions |
| Lee Roy Reams | 2 productions |
| Carol Channing | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- The NYCCLOC revived the musical on May 30, 1962, for sixteen performances; the cast included Broadway’s original Li’l Abner, Peter Palmer (Tommy) as well as Sally Ann Howes (Fiona), Farley Granger (Jeff), and New York City Center Ballet Company dancer Edward Villella (Harry). On January 30, 1963, the company’s third revival opened for fif…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- The third visit opened on February 27, 1963, for fifteen performances; Betty Garde was again Aunt Eller, and the cast featured Peter Palmer (Curly), Louise O’Brien (Laurey), and Richard France (Will Parker); the production returned to City Center later in the spring, opening on May 15 for fifteen more performances. The final City Center p…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “A Typical Day (in Dogpatch, U.S.A.)” (Dogpatchers); “If I Had My Druthers” (Peter Palmer, Marc Breaux, Ralph Linn, Jack Matthew, Robert McClure, George Reeder); “If I Had My Druthers” (reprise) (Edith Adams); “Jubilation T. Cornpone” (Stubby Kaye, Dogpatchers); “Rag Offen the Bush” (Dogpatchers); “Namely You” (Edith Adams, Peter…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Besides the usual shenanigans depicting Daisy Mae’s (Edith Adams) relentless romantic pursuit of Li’l Abner (Peter Palmer), the plot centered on the government’s decision that Dogpatch is the most useless and unnecessary place in the United States and is thus suitable for an atom-bomb testing site. But all ends well when it’s revealed the…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Edie Adams, Peter Palmer, Howard St. John, Stubby Kaye, Charlotte Rae, Tina Louise, Joe E. Marks, Julie Newmar, Grover Daleebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Following the lead of Finian’s Rainbow, Li’l Abner was a musical fantasy set in a rural Southern community that aimed satirical darts at existing social conditions. Here the main targets are the government’s propensity for bull-dozing areas for atom-bomb tests, right-wing militarists, inefficient politicians, and conformity. Based on the…ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.