On stage 7 productions, 50 years
| 1953 | John Murray Anderson's Almanac Imperial Theatre · Original · directed by Cyril Ritchard | 229 perf. |
| 1955 | Champagne Complex Cort Theatre · Original · directed by Michael Gordon | 23 perf. |
| 1959 | First Impressions Alvin Theatre · Original · directed by Abe Burrows | 92 perf. |
| 1989 | Love Letters Edison Theatre · Original · directed by John Tillinger | 96 perf. |
| 1998 | Cabaret Kit Kat Klub at Studio 54 · Revival · directed by Sam Mendes & Rob Marshall | 2,377 perf. |
| 2001 | Follies Belasco Theatre · Revival · directed by Matthew Warchus | 117 perf. |
| 2003 | Six Dance Lessons in Six Weeks Belasco Theatre · Original · directed by Arthur Allan Seidelman | 28 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Treat Williams | 2 productions |
| Hermione Gingold | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.
In the literature8 passages
- Cast : Hermione Gingold , Billy DeWolfe , Harry Belafonte, Polly Bergen, Orson Bean, Nanci Crompton, Carleton Carpenter, Harry Mimmo, Elaine Dunn, Celia Lipton, James Jewell, Kay Medford, Lee Becker (Theodore), Imelda De Martin, Dorothy Dushock, Greb Lober, Illona Murai, Margot Myers, Gwen Neilson, Gloria Smith, Jimmy Albright, Hank Brunj…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Within a few weeks of the Broadway opening, Polly Bergen, Kay Medford, and Harry Mimmo left the revue; Bergen’s songs were given to Tony Bavaar and Judy Lynn, and Medford was replaced by Alice Pearce; no one replaced Harry Mimmo, which could have been a compliment (maybe he was irreplaceable) or an insult (if no one missed him); at any ra…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “Five Daughters” (Hermione Gingold); “I’m Me” (Polly Bergen, Lois Bewley, Lynn Ross, Laurie Peters, Phyllis Newman); “Have You Heard the News?” (Hermione Gingold, Townspeople); “Polka/Mazurka” and “The Assembly Dance” (Townspeople, Officers); “A Perfect Evening” (Farley Granger, Polly Bergen); “As Long as There’s a Mother” (Hermi…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “Wasn’t It a Simply Lovely Wedding?” (aka “Wedding Talk”) (Polly Bergen, Hermione Gingold, Ellen Hanley, Christopher Hewett, Ensemble); “A House in Town” (Hermione Gingold); “The Heart Has Won the Game” (Farley Granger); “I’m Me” (reprise) (Polly Bergen); “Dance” (James Mitchell, Lynn Ross, Officers); “Let’s Fetch the Carriage” (…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- The plot closely followed Austen, and focused on both the relationship of the stubborn and independent Elizabeth Bennet (Polly Bergen) and the rich and arrogant Fitzwilliam Darcy (Farley Granger) and the attempts of her mother Mrs. Bennet (Hermione Gingold) to marry off Elizabeth and her four sisters. Some critics were unhappy that a few…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast : Blythe Danner, Gregory Harrison, Judith Ivey, Treat Williams, Polly Bergen, Marge Champion, Betty Garrett, Joan Roberts, Donald Saddler, Jane White, Carol Woods, Louis Zorich, Roxane Barlow, Carol Bentley, Erin Dilly, Kelli O’Haraebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.