Theatre Register

Portia Nelson

Shows · Portia Nelson

ComposerLyricist 1920–2001 On stage 1954

Portia Nelson (born Betty Mae Nelson; May 27, 1920 – March 6, 2001) was an American popular singer, songwriter, actress and author. She was best known for her appearances in 1950s cabarets, where she sang soprano. In 1965, she portrayed the cantankerous Sister Berthe in the film version of The Sound of Music; she also had a minor role as Sarah in the musical Doctor Dolittle; on TV's All My Children Nelson played the long-running role of nanny Mrs. Gurney. Her book of poetic musings, There's a Hole in My Sidewalk: The Romance of Self-Discovery, became a mainstay of twelve-step programs.

On stage 1 production

1954 The Golden Apple Phoenix Theatre · Original · directed by Norman Lloyd 173 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on2 works

Almost Crazy
The Sound of Music

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • Cast : Kaye Ballard (Helen), Bibi Osterwald (Lovey Mars, Siren), Shannon Bolin (Mrs. Juniper, Madame Calypso), Portia Nelson (Miss Minerva Oliver, Scientist), Martha Larrimore (Mother Hare, Circe), Priscilla Gillette (Penelope), Dean Michener (Menelaus, Scylla); The Heroes: Frank Seabolt (Captain Mars), Marten Sameth (Ajax), Crandall Dieh…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Act One: “Nothing Ever Happens in Angel’s Roost” (Kaye Ballard, Bibi Osterwald, Shannon Bolin, Portia Nelson); “Mother Hare’s Séance” (Martha Larrimore); “My Love Is on the Way” (Priscilla Gillette); “The Heroes Come Home” (Company); “It Was a Good Adventure” (Stephen Douglass, The Heroes); “Come Along, Boys” (The Heroes, Ensemble); “It’s…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Act Two: “My Picture in the Papers” (Kaye Ballard, Jonathan Lucas, Male Ensemble); “The Taking of Rhododendron” (Stephen Douglass, Jack Whiting, Jonathan Lucas); “Hector’s Song” (Jack Whiting); “Windflowers” (Priscilla Gillette); “Store-Bought Suit” (Stephen Douglass); “Calypso” (Shannon Bolin); “Scylla and Charybdis” (Dean Michner, Jack…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Lyrics : Lenny Adelson, Helen Bragdon, Joyce Geary, Hal Hackady, Stan Hagler, Jim Kay, Portia Nelson, Sam Rosen, James Shelton, and Raymond (Ray) Taylorebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Music : Gene DePaul, Lew Kesler, Carley Mills, Portia Nelson, Don Raye, Bill Russell, Ed Scott, James Sheldon, and Raymond (Ray) Taylorebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • During previews, the following numbers were dropped: “The Time, the Place and the Boy” (lyric by Joyce Geary, music by Portia Nelson); “Chemical Reactions” (sketch by Tom Royal); and “Lament of the Dying Lady” (sketch by Richard DeRoy).ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record — composer, lyricist — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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