Also credited on3 works
Everything
Stop! Look! Listen!
Watch Your Step
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature2 passages
- I brought W. C. Fields all the way from Australia and as good as his act was it didn’t fit in our book… [so] I cut out the entire scene. It represented the Automat Restaurant and the machinery in the scene cost $5,000, [from] which we lost also 100 costumes and also W. C. Fields. There was a riot at that rehearsal and nobody’d ever seen p…ebooks/Magee, Jeffrey/Irving Berlin's American Musical Theater (Broadway Legacies) - Jeffrey Magee.txt
- THE COMPLETE LYRICS OF IRA GERSHWIN Tryout: Reade’s Broadway Theatre, Long Branch, New Jersey, August 29, 1927; Shubert Theatre, Philadelphia, September 5, 1927. Closed without reaching New York. Music by George Gershwin. Produced by Edgar Selwyn. Book by George S. Kaufman. Book staged by R. H. Burnside. Dances staged by John Boyle. Orche…theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Which of the credits above the roles on this record — book writer, director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.