On stage 3 productions, 4 years
| 1936 | New Faces of 1936 Vanderbilt Theatre · Original · directed by Ned McGurn | 193 perf. |
| 1937 | Hooray For What! Winter Garden · Original · directed by Vincente Minnelli, Howard Lindsay | 200 perf. |
| 1940 | Louisiana Purchase Imperial Theatre · Original · directed by Edgar MacGregor | 444 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once3 names
| William Chandler | 2 productions |
| Hugh Martin | 2 productions |
| Charles la Torre | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on2 works
Best Foot Forward
Three Wishes for Jamie “A New Musical Play”
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Lyrics : Irving Berlin, Ralph Blane, Larry Holofcener, Arnold B. Horwitt, Floyd Huddleston, Mark Lawrence, Hugh Martin, Joseph McCarthy Jr., Fred Patrick, Claude Reese, Sidney Shaw, and Chuck Sweeneyebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Music : Irving Berlin, Ralph Blane, Jerry Bock, Cy Coleman, Buster Davis, Milton DeLugg, Marvin Fisher, Albert Hague, Richard Lewine, Hugh Martin, Alton Rinker, Sidney Shaw, and Jack Valebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- “Faster Than Sound” (with lyric and music credited to Ralph Blane and Hugh Martin) had originally been written for the team’s 1954 musical film Athena ; it was performed by Vic Damone and chorus for a nightclub sequence, but was deleted from the final release print. A brief glimpse of the number can be seen as it’s about to begin (but no…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: William Gaxton, Vera Zorina, Victor Moore, Irene Bordoni, Carol Bruce, Nick Long Jr., Hugh Martin, Ralph Blane, Edward H. Robinsebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- The critics were very mixed, and the show failed, despite an engaging score (by Ralph Blane) and wonderful performers, especially Rae, who made the most of her trick contralto-with- Lakme-extension in her wooing of Dennis, "I'll Sing You a Song." Maybe the show's ethnicity was too heavily explored. Maybe the "barren" thing was too dark ev…ebooks/Mordden, Ethan/B0035RP5R8 EBOK - Ethan Mordden.txt
- Lashings of Irish whimsy arrived in Three Wishes for Jamie (92), with a distinguished leading man in John Raitt and some pleasing songs by Ralph Blane. Buttrio Square (7) survived a traumatic gestation only to be trashed in New York. Perhaps remembering Hammerstein’s translation of Bizet’s Carmen into Carmen Jones , less skilful authors t…ebooks/Wright, Adrian/West End Broadway_ The Golden Age of the American Musical in London - Adrian Wright.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — composer, lyricist, actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.