Raymond Hitchcock

On stage 29 productions, 30 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 12 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

Ziegfeld Follies

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature5 passages

• Cast: Fanny Brice, W. C. Fields, Raymond Hitchcock, Ray Dooley, Mary Milburn, Van & Schenck, Florence O’Denishawn, Vera Michelena, Mary Eaton, Channing Pollock, Mary Lewisebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
• Frank Daniels in “Miss Simplicity;” Raymond Hitchcock in “King Dodo;” Frank Moulan in “The Sultan of Sulu;”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
• in her first play without music, “Barbara’s Millions.” Raymond Hitchcock was appearing in “The Gallop,” a farce without music. The fall saw two productions of “The Kreutzer Sonata” on the boards. One starred Blanche Walsh, the other Bertha Kalich. In 1905, Paul Orleneff came over from Moscow and with histheatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
• “Flora Bella,” Raymond Hitchcock in “Betty” with Joseph Santley and Ivy Sawyer, Charlotte Greenwood in “So Long, Letty,” and “Follow Me” proved to be the final starring vehicle for Anna Held. “Ziegfeld Follies of 1916” boasted a cast including Ina Claire, W. C. Fields, Fannie Brice, Bert Williams, Ann Pennington, Bernard Granville, France…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
• Hewes: Al Hirschfeld; Raymond Hitchcock; Hal Holbrook; Celeste Holm; Hanya Holm: Arthur Hopkins; De Wolf Hopper; John Houseman; Eugene Howard; ( CONTINUEDtheatre-pdfs/Theatre World/Theatre World, 2002-03 Season, v. 59 (Willis).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.