On stage 15 productions, 51 years
| 1914 | Cordelia Blossom Gaiety Theatre · Original | 16 perf. |
| 1922 | Manhattan Playhouse Theatre · Original | 86 perf. |
| 1922 | The Awful Truth Henry Millers Theatre · Original | 144 perf. |
| 1928 | On Call Waldorf Theatre · Original · directed by Frank McCoy | 67 perf. |
| 1929 | Freddy Lyceum Theatre · Original | 63 perf. |
| 1929 | Zeppelin National Theatre · Original · directed by Frank Merlin | 72 perf. |
| 1930 | Three Little Girls Shubert Theatre · Original · directed by J. J. Shubert | 104 perf. |
| 1932 | Bridal Wise Cort Theatre · Original · directed by Frank Craven | 128 perf. |
| 1932 | The Budget Hudson Theatre · Original | 7 perf. |
| 1933 | Man Bites Dog Lyceum Theatre · Original | 7 perf. |
| 1933 | The Pursuit of Happiness Avon Theatre · Original · directed by Miriam Doyle | 252 perf. |
| 1934 | Another Love Vanderbilt Theatre · Original | 16 perf. |
| 1946 | Park Avenue Shubert Theatre · Original · directed by Helen Tamiris | 72 perf. |
| 1962 | A Funny Thing Happened on the Way to the Forum Alvin Theatre · Original · directed by George Abbott | 964 perf. |
| 1965 | A Very Rich Woman Belasco Theatre · Original · directed by David Pardoll | 28 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once3 names
| Madge Kennedy | 2 productions |
| Herbert Druce | 2 productions |
| Dennie Moore | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
A Funny Thing Happened on the Way to the Forum
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature5 passages
- Cast: Zero Mostel, John Carradine, Raymond Walburn, Jack Gilford, David Burns, Ruth Kobart, Brian Davies, Preshy Marker, Ronald Holgate, Eddie Phillipsebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- ELEANOR HICKS, CHARLES WALDRON, HUNTER GARDNER, SETH ARNOLD, RAYMOND WALBURN, PEGGY CONKLIN, TONIO SELWART in ’’THE PURSUIT OF HAPPINESS”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- daughter engaged to a young man who is not in Dun and Bradstreet. This is not their idea of ason-in-law. Sung by Leonora Corbett and Raymond Walburn” (Ira Gersh-theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- Lyrics first published in Ira Gershwin’s Lyrics on Several Occasions (1959). Introduced by Arthur Margetson (Oggie), Raymond Walburn (Richard), Charles Purcell (Reggie), and Robert Chisholm (Charles). “A calypso about the stock market, the race track, and quiz pro-theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- Conceived either as a duet for Martha Errolle (Elsa) and Arthur Margetson (Oggie) or as a quartet for Errolle, Margetson, Ruth Matteson (Myra), and Raymond Walburn (Richard) (this version is the duet). Unused. According to a note by Ira Gershwin, Arthur Schwartz’stheatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.