On stage 20 productions, 40 years
| 1960 | Henry IV, Part I Phoenix Theatre · Revival · directed by Stuart Vaughan | 65 perf. |
| 1960 | Henry IV, Part II Phoenix Theatre · Revival · directed by Stuart Vaughan | 31 perf. |
| 1963 | One Flew Over the Cuckoo's Nest Cort Theatre · Original · directed by Alex Segal | 82 perf. |
| 1971 | Scratch St James Theatre · Original · directed by Peter H. Hunt | 4 perf. |
| 1973 | The Changing Room Morosco Theatre · Original · directed by Michael Rudman | 192 perf. |
| 1974 | Gypsy Winter Garden Theatre · Revival · directed by Arthur Laurents | 120 perf. |
| 1974 | Sherlock Holmes Broadhurst Theatre · Revival · directed by Frank Dunlop | 471 perf. |
| 1974 | The Magic Show Cort Theatre · Original · directed by Grover Dale | 1,920 perf. |
| 1976 | Boy Meets Girl Playhouse Theatre · Revival · directed by John Lithgow | 10 perf. |
| 1976 | Comedians Music Box Theatre · Original · directed by Mike Nichols | 145 perf. |
| 1976 | Secret Service Playhouse Theatre · Revival | 13 perf. |
| 1976 | They Knew What They Wanted Playhouse Theatre · Revival · directed by Stephen Porter | 23 perf. |
| 1977 | An Almost Perfect Person Belasco Theatre · Original · directed by Zoe Caldwell | 108 perf. |
| 1978 | Players Lyceum Theatre · Original · directed by Michael Blakemore | 23 perf. |
| 1979 | King Richard III Cort Theatre · Revival · directed by David Wheeler | 31 perf. |
| 1983 | You Can't Take It With You Plymouth Theatre · Revival · directed by Ellis Rabb | 312 perf. |
| 1984 | Play Memory Longacre Theatre · Original · directed by Harold Prince | 5 perf. |
| 1990 | Six Degrees of Separation Vivian Beaumont Theater · Original · directed by Jerry Zaks | 485 perf. |
| 1993 | The Sisters Rosensweig Ethel Barrymore Theatre · Original · directed by Daniel Sullivan | 556 perf. |
| 2000 | James Joyce's The Dead Belasco Theatre · Original · directed by Seán Curran | 120 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Alice Drummond | 4 productions |
| Roy Poole | 3 productions |
| John Lithgow | 3 productions |
| William Hindman | 2 productions |
| Thomas Bellin | 2 productions |
| Stuart Warmflash | 2 productions |
| Robert Blackburn | 2 productions |
| Richard Woods | 2 productions |
| Rex Everhart | 2 productions |
| Ray Reinhardt | 2 productions |
| Pirie Macdonald | 2 productions |
| Nicholas Kepros | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.