On stage 8 productions, 11 years
| 1949 | The Closing Door Empire Theatre · Original · directed by Lee Strasberg | 22 perf. |
| 1949 | The Traitor 48th Street Theatre · Revival | 67 perf. |
| 1950 | A Phoenix Too Frequent / Freight Fulton Theatre · Original · directed by John O'Shaughnessy | 5 perf. |
| 1951 | The Grand Tour Martin Beck Theatre · Original | 8 perf. |
| 1952 | Dial "M" for Murder Plymouth Theatre · Original · directed by Reginald Denham | 552 perf. |
| 1955 | Plain And Fancy Mark Hellinger Theatre · Original · directed by Morton Da Costa | 461 perf. |
| 1958 | Maybe Tuesday Playhouse Theatre · Original · directed by Elliot Silverstein | 5 perf. |
| 1960 | Invitation to a March Music Box Theatre · Original | 113 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Sybil Lamb | 2 productions |
| Eileen Heckart | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Act One: “You Can’t Miss It” (Richard Derr, Shirl Conway, Ensemble); “It Wonders Me” (Gloria Marlowe); “Plenty of Pennsylvania” (Nancy Andrews, Douglas Fletcher Rodgers, Elaine Lynn, Ensemble); “Young and Foolish” (David Daniels); “Why Not Katie?” (Douglas Fletcher Rodgers, Men); “Young and Foolish” (reprise) (Gloria Marlowe, David Daniel…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- The plot dealt with New Yorker Dan King (Richard Derr), who has inherited property in Amish country and travels there with his girlfriend Ruth Winters (Shirl Conway) when local Amish farmer Yoder (Stefan Schnabel) puts down a bid for the property as a wedding gift for his daughter Katie (Gloria Marlowe) who is engaged to Ezra Reber (Dougl…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- The London production opened at the Drury Lane on January 25, 1956, for a run of 315 performances; Shirl Conway and Richard Derr reprised their Broadway roles, and Philip Nasta (who danced in the original production) reproduced Helen Tamiris’s choreography.ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Richard Derr, Barbara Cook, David Daniels, Shirl Conway, Stefan Schnabel, Gloria Marlowe, Nancy Andrewsebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- PC: Ruth Winters : Shirl Conway; Dan King : Richard Derr; Katie Yoder : Grace O’Connor; Papa Yoder : Malcolm Keen; Hilda Miller : Joan Hovis; Peter Reber : Jack Drummond; Emma Miller : Virginia Somers; Ezra Reber : Reed de Rouen; Samuel Zook : Harry Naughhton; Isaac Miller : Bernard Spear [cast also included Ivor Emmanuel, Andy Cole and T…ebooks/Wright, Adrian/West End Broadway_ The Golden Age of the American Musical in London - Adrian Wright.txt
- more, Patrice Wymore 1948-49: Tod Andrews, Doe Avedon, Jean Carson, Carol Channing, Richard Derr, Julie Harris, Mary McCarty, Allyn Ann McLerie, Cameron Mitchell, Gene Nelson, Byron Palmer, Bob Scheerer 1949-50: Nancy Andrews, Phil Arthur, Barbara Brady, Lydia Clarke, Pnscilla Gillette, Don Hanmer, Marcia Henderson, Charlton Heston, Rick…theatre-pdfs/Theatre World/Theatre World, 1971-72 Season, v. 28 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.