Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature7 passages
- The best possible example I can give you is from High Society where Richard Eyre, an artistic director of the National Theatre, was given carte blanche to scour the Cole Porter catalogue for whatever he needed. Now he decided, looking at [the play from which he adapted his libretto], The Philadelphia Story, that he was going to be looking…ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
- There wasn't an open slot in the National's schedule but its director Richard Eyre said he would direct a reading if I wanted one. Wanted? I grabbed. English actors in a very American play but they had all the passion and all the sexuality-yes, the English had all the sexuality the Americans in Seattle hadn't. They knew more about the Wit…ebooks/Laurents, Arthur/Original Story By_ A Memoir of Broadway and Hollywood - Arthur Laurents.txt
- The all-Anglo team that Schumacher and Mackintosh have assembled for the job is impressive: Richard Eyre, director; Matthew Bourne, musical staging and choreography; Bob Crowley, sets and costumes.ebooks/Singer, Barry/Ever After_ The Last Years of Musical Theater and Beyond - Barry Singer.txt
- By David Hare; Director, Richard Eyre; Sets/Costumes, Bob Crowley; Lighting, Mark Henderson; Projections, Wendall K. Harrington; Sound, Scott Myers; Music, George Fenton; Production Manager, Jeff Hamlin; General Manager, Steven C. Callahan; Company Manager, Edward J. Nelson; Stage Manager, Susie Cordon; Presented by Lincoln Center Theater…theatre-pdfs/Theatre World/Theatre World, 1995-96 Season, v.52 (Willis).txt
- AMY’S VIEW By David Hare; Director, Richard Eyre; Set/Costumes, Bob Crowley; Lighting, Mark Henderson; Sound, Scott Myers; Music, Richard Hartley; Projections, Wendall K. Harrington; Casting, Daniel Swee; General Management, Stuart Thompson; Stage Managers, Susie Cordon, Thom Widmann; Company Manager, James Triner; The Royal National Thea…theatre-pdfs/Theatre World/Theatre World, 1998-99 Season, v. 55 (Willis).txt
- THE CRUCIBLE By Arthur Miller; Director, Richard Eyre; Sets and Costumes, Tim Hatley; Lighting, Paul Gallo; Sound, Scott Myers; Casting, Daniel Swee; Original Music, David Van Tieghem; Production Stage Manager, Susie Gordon; Produced by David Richenthal, Jennifer Manocherian/Harriet Newman Leve/Bob Boyett, Max Cooper, Allan S. Gordon, Roy…theatre-pdfs/Theatre World/Theatre World, 2001-02 Season, v. 58 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.