Also credited on8 works
Ain't Misbehavin'
Big
Fosse
Miss Saigon
Miss Saigon (2017 Revival)
Nick & Nora
Song and Dance
The Pirate Queen
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- 9 Luthet Henderson, who with Richard Maltby, Jr and Murray Horwitz was the guiding force behind Ain’t Misbehavin’, insists ‘the cast was not chosen for their vocal timbre or quality but because their personalities projected.’ He adds, ‘clowns project, mimes project, and this is the abstractness of projection. That’s what the public is exp…ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
- How could Richard Maltby Jr. be Rookie of the Year, given that he’d been around Broadway for nearly two decades?ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
- “Producer for producer, Garth was the best,” says Richard Maltby Jr., who worked on Drabinsky’s final Broadway outing, Fosse , in 1999. “He was totally committed to creating a work of art. He would do anything to make it happen, spending whatever money was necessary.ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
- What’s often been said about Best Musical Tony winner Ain’t Misbehavin’ is that director Richard Maltby, Jr., made it more than a revue by creating characters to sing Fats Waller’s songs. Nell Carter played a woman who believed that concept of the Big Beautiful Woman, while equally ample Armelia McQueen was a little less secure. Andre De…ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
- As always, Richard Maltby, Jr., had marvelous ideas for songs. “Fatherhood Blues” stated that even men who don’t want children are assuaged by the fact that they were able to impregnate a woman. Few spouses would disagree with Maltby’s contention that children are “Easier to Love” than a husband or wife is. Lizzie found that having a big…ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
- When it came to New York in the 1985–1986 season, after both a tweaking and direction by Richard Maltby, Jr., it ran half as long. It was doing fine as long as Bernadette Peters was portraying Emma, as “Girl” was now called. Once she’d finished her yearlong contract, Betty Buckley took over. The songs and dances ended in a month.ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — director, lyricist, book writer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.