On stage 18 productions, 23 years
| 1927 | Golden Dawn Hammerstein's Theatre · Original · directed by Reginald Hammerstein | 184 perf. |
| 1929 | Sweet Adeline Hammerstein’s Theatre · Original · directed by Reginald Hammerstein | 234 perf. |
| 1930 | Luana Hammersteins Theatre · Original · directed by Earl Lindsey | 21 perf. |
| 1933 | Threepenny Opera Empire Theatre · Original · directed by Francesco Von Mendelssohn | 12 perf. |
| 1938 | Knights of Song Hollywood Theatre · Original · directed by Oscar Hammerstein II | 16 perf. |
| 1938 | The Two Bouquets Windsor Theatre · Original · directed by Leslie French | 55 perf. |
| 1939 | Susanna, Don't You Cry Martin Beck Theatre · Original · directed by José Ruben | 5 perf. |
| 1940 | Higher and Higher Shubert Theatre · Original · directed by Joshua Logan | 84 perf. |
| 1941 | Night of Love Hudson Theatre · Original · directed by Barrie O'Daniels | 7 perf. |
| 1942 | Without Love St James Theatre · Original · directed by Robert B. Sinclair | 113 perf. |
| 1943 | A Connecticut Yankee Martin Beck Theatre · Revival · directed by John C. Wilson | 135 perf. |
| 1943 | Blossom Time Ambassador Theatre · Revival · directed by J. J. Shubert | 47 perf. |
| 1944 | On the Town Adelphi Theatre · Original · directed by George Abbott | 463 perf. |
| 1945 | Billion Dollar Baby Alvin Theatre · Original · directed by George Abbott | 220 perf. |
| 1946 | Park Avenue Shubert Theatre · Original · directed by Helen Tamiris | 72 perf. |
| 1947 | Topaze Morosco Theatre · Revival · directed by Leo Mittler | 1 perf. |
| 1949 | Gentlemen Prefer Blondes Ziegfeld Theatre · Revival · directed by John C. Wilson | 740 perf. |
| 1950 | Bless You All Mark Hellinger Theatre · Original · directed by John C. Wilson | 84 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Grace la Rue | 3 productions |
| Dorothy Johnson | 3 productions |
| Winston O Keefe | 2 productions |
| Virginia Gorski | 2 productions |
| Vera Ellen | 2 productions |
| Tom Rider | 2 productions |
| Tom Morgan | 2 productions |
| Ruth Webb | 2 productions |
| Ruby Nevins | 2 productions |
| Robert Rounseville | 2 productions |
| Richard D Arcy | 2 productions |
| Rex Evans | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Cast : Jules Munshin , Mary McCarty , Pearl Bailey , Valerie Bettis, Jane Harvey, Byron Palmer, Robert Chisholm, Garry Davis, Charlene Harris, Donald Saddler, Gene Barry, Lee Barnett, Noel Gordon; Show Girls (“A Swarm of Sultry Sylphs”): Blanche Grady, Jill Medford, Kris Nodland, Gloria Olson, Dell Parker, Madelyn Remini, Gwenna Lee Smith…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- During the run, two sketches were added. For the first act, “Meet the Authors” by Jerome Chodorov followed “A Rose Is a Rose,” and was performed by Robert Chisholm, Jules Munshin, Mary McCarty, and Charlene Harris. The sketch had originally appeared in the revue Pretty Penny , which had briefly toured in summer stock in 1949 and had been…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Helen Morgan, Charles Butterworth, Irene Franklin, Robert Chisholm, Violet Carlson, Max Hoffman Jr.ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Finally, Robert Chisholm, who sang the role of Judge Pitkin W. Bridgework—the basso buffo who gets jilted by Claire—was an Australian baritone trained in London. He was one of the first hires for On the Town . 109 Chisholm was older than the rest of the cast, having made his Broadway debut in 1927 in the operetta Golden Dawn (Otto Harbach…ebooks/Oja, Carol J_/Bernstein Meets Broadway_ Collaborative Art in a Time of War (Broadway Legacies) - Carol J. Oja.txt
- Adolph Green, Betty Comden, and Robert Chisholm, in the scene where Pitkin sings “I Understand” for the first time. He does so while serving champagne to his fiancée and her new boyfriend, and he wears an apron that matches his tie (Act I, Scene 9). Photofest Digital Archive.ebooks/Oja, Carol J_/Bernstein Meets Broadway_ Collaborative Art in a Time of War (Broadway Legacies) - Carol J. Oja.txt
- WICKES, MARTHE ERROLLE, ROBERT CHISHOLM, LEONORA CORBETT, ARTHUR MARGETSON, RUTH MATTESON, CHARLES PURCELL in ‘PARK AVENUE”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.