Theatre Register

Robert Chisholm

Shows · Robert Chisholm

ActorOn stage 19271950

Robert Chisholm was an Australian baritone with a long Broadway career who played Pitkin in On the Town (1944), Macheath in the 1933 Threepenny Opera, and King Arthur in A Connecticut Yankee, after his 1927 debut in Golden Dawn.

On stage 18 productions, 23 years

1927 Golden Dawn Hammerstein's Theatre · Original · directed by Reginald Hammerstein 184 perf.
1929 Sweet Adeline Hammerstein’s Theatre · Original · directed by Reginald Hammerstein 234 perf.
1930 Luana Hammersteins Theatre · Original · directed by Earl Lindsey 21 perf.
1933 Threepenny Opera Empire Theatre · Original · directed by Francesco Von Mendelssohn 12 perf.
1938 Knights of Song Hollywood Theatre · Original · directed by Oscar Hammerstein II 16 perf.
1938 The Two Bouquets Windsor Theatre · Original · directed by Leslie French 55 perf.
1939 Susanna, Don't You Cry Martin Beck Theatre · Original · directed by José Ruben 5 perf.
1940 Higher and Higher Shubert Theatre · Original · directed by Joshua Logan 84 perf.
1941 Night of Love Hudson Theatre · Original · directed by Barrie O'Daniels 7 perf.
1942 Without Love St James Theatre · Original · directed by Robert B. Sinclair 113 perf.
1943 A Connecticut Yankee Martin Beck Theatre · Revival · directed by John C. Wilson 135 perf.
1943 Blossom Time Ambassador Theatre · Revival · directed by J. J. Shubert 47 perf.
1944 On the Town Adelphi Theatre · Original · directed by George Abbott 463 perf.
1945 Billion Dollar Baby Alvin Theatre · Original · directed by George Abbott 220 perf.
1946 Park Avenue Shubert Theatre · Original · directed by Helen Tamiris 72 perf.
1947 Topaze Morosco Theatre · Revival · directed by Leo Mittler 1 perf.
1949 Gentlemen Prefer Blondes Ziegfeld Theatre · Revival · directed by John C. Wilson 740 perf.
1950 Bless You All Mark Hellinger Theatre · Original · directed by John C. Wilson 84 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Grace la Rue 3 productions
Dorothy Johnson 3 productions
Winston O Keefe 2 productions
Virginia Gorski 2 productions
Vera Ellen 2 productions
Tom Rider 2 productions
Tom Morgan 2 productions
Ruth Webb 2 productions
Ruby Nevins 2 productions
Robert Rounseville 2 productions
Richard D Arcy 2 productions
Rex Evans 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

In the literature8 passages

  • Cast : Jules Munshin , Mary McCarty , Pearl Bailey , Valerie Bettis, Jane Harvey, Byron Palmer, Robert Chisholm, Garry Davis, Charlene Harris, Donald Saddler, Gene Barry, Lee Barnett, Noel Gordon; Show Girls (“A Swarm of Sultry Sylphs”): Blanche Grady, Jill Medford, Kris Nodland, Gloria Olson, Dell Parker, Madelyn Remini, Gwenna Lee Smith…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • During the run, two sketches were added. For the first act, “Meet the Authors” by Jerome Chodorov followed “A Rose Is a Rose,” and was performed by Robert Chisholm, Jules Munshin, Mary McCarty, and Charlene Harris. The sketch had originally appeared in the revue Pretty Penny , which had briefly toured in summer stock in 1949 and had been…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Cast: Helen Morgan, Charles Butterworth, Irene Franklin, Robert Chisholm, Violet Carlson, Max Hoffman Jr.ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
  • Finally, Robert Chisholm, who sang the role of Judge Pitkin W. Bridgework—the basso buffo who gets jilted by Claire—was an Australian baritone trained in London. He was one of the first hires for On the Town . 109 Chisholm was older than the rest of the cast, having made his Broadway debut in 1927 in the operetta Golden Dawn (Otto Harbach…ebooks/Oja, Carol J_/Bernstein Meets Broadway_ Collaborative Art in a Time of War (Broadway Legacies) - Carol J. Oja.txt
  • Adolph Green, Betty Comden, and Robert Chisholm, in the scene where Pitkin sings “I Understand” for the first time. He does so while serving champagne to his fiancée and her new boyfriend, and he wears an apron that matches his tie (Act I, Scene 9). Photofest Digital Archive.ebooks/Oja, Carol J_/Bernstein Meets Broadway_ Collaborative Art in a Time of War (Broadway Legacies) - Carol J. Oja.txt
  • WICKES, MARTHE ERROLLE, ROBERT CHISHOLM, LEONORA CORBETT, ARTHUR MARGETSON, RUTH MATTESON, CHARLES PURCELL in ‘PARK AVENUE”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Birth or death year. Neither is on the record.
  • Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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