On stage 24 productions, 45 years
| 1906 | Pippa Passes Majestic Theatre · Original | 9 perf. |
| 1906 | The Great Divide Princess Theatre · Original | 238 perf. |
| 1908 | The Winterfeast Savoy Theatre · Original | 16 perf. |
| 1917 | Broken Threads Fulton Theatre · Original | 56 perf. |
| 1917 | The Gipsy Trail Plymouth Theatre · Original | 111 perf. |
| 1918 | A Trench Fantasy Plymouth Theatre · Original | 19 perf. |
| 1919 | His Honor: Abe Potash Bijou Theatre · Original | 215 perf. |
| 1921 | Nemesis Hudson Theatre · Original · directed by John Meehan | 56 perf. |
| 1922 | Fools Errant Maxine Elliotts Theatre · Original · directed by B. Iden Payne | 64 perf. |
| 1922 | Frank Fay's Fables Park Theatre · Original · directed by Kuy Kendall | 32 perf. |
| 1922 | The Fool Times Square Theatre · Original | 272 perf. |
| 1923 | The Song and Dance Man Hudson Theatre · Original | 96 perf. |
| 1924 | The Desert Flower Longacre Theatre · Revival | 31 perf. |
| 1925 | Something To Brag About Booth Theatre · Original | 4 perf. |
| 1925 | The Piker Eltinge 42nd Street Theatre · Original · directed by Priestly Morrison | 44 perf. |
| 1926 | Down Stream 48th Street Theatre · Original | 16 perf. |
| 1926 | Still Waters Henry Millers Theatre · Original | 16 perf. |
| 1926 | The Woman Disputed Forrest Theatre · Original · directed by Crane Wilbur | 87 perf. |
| 1927 | The Trial of Mary Dugan National Theatre · Original · directed by A.H. Van Buren | 437 perf. |
| 1929 | Congratulations National Theatre · Original · directed by Edward Clarke Lilley | 39 perf. |
| 1931 | She Means Business Ritz Theatre · Original · directed by Frederick Stanhope | 8 perf. |
| 1931 | The Man on Stilts Plymouth Theatre · Original | 6 perf. |
| 1933 | Murder at the Vanities New Amsterdam Theatre · Original · directed by Burk Symon | 207 perf. |
| 1951 | Faithfully Yours Coronet Theatre · Original · directed by Richard Whorf | 68 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Ernest Glendinning | 3 productions |
| Cyril Keightley | 3 productions |
| William J Butler | 2 productions |
| Roland Young | 2 productions |
| Rex Cherryman | 2 productions |
| Mildred Southwick | 2 productions |
| Lowell Sherman | 2 productions |
| Louis Calhern | 2 productions |
| John Ravold | 2 productions |
| Henry B Walthall | 2 productions |
| Eleanor Woodruff | 2 productions |
| Edith Wynne Matthison | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 12 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature2 passages
- Cast: Fanny Brice, Willie & Eugene Howard, Everett Mashall, Jane Froman, Vilma & Buddy Ebsen, Patricia Bowman, Cherry & June Preisser, Eve Arden, Robert Cummings, Ina Ray Huttonebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- (Top) Le complexe de Philemon, Theatre Montpamasse, Paris. [French Cultural Services] (Bottom) Robert Cummings and Ann Sothem in Faithfully Yours, adapted from Le complexe de Philemon. New York, Coronet Theatre, 1951. [Photograph by Vandamm]theatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 1 (A-C).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor, composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.