On stage 9 productions, 61 years
| 1955 | The Matchmaker Royale Theatre · Original · directed by Tyrone Guthrie | 486 perf. |
| 1958 | Say, Darling ANTA Theatre · Original · directed by Abe Burrows | 332 perf. |
| 1959 | Take Me Along Shubert Theatre · Original · directed by Peter Glenville | 448 perf. |
| 1961 | How to Succeed in Business Without Really Trying 46th Street Theatre · Original · directed by Abe Burrows | 1,417 perf. |
| 1972 | Sugar Majestic Theatre · Original · directed by Gower Champion | 505 perf. |
| 1974 | Jule's Friends at the Palace Palace Theatre · Original · directed by Fritz Holt | 1 perf. |
| 1976 | So Long, 174th Street Harkness Theatre · Original · directed by Burt Shevelove | 16 perf. |
| 1989 | Tru Booth Theatre · Original | 297 perf. |
| 2016 | The Front Page Broadhurst Theatre · Revival · directed by Jack O'Brien | 117 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once9 names
| Walter Klavun | 2 productions |
| Virginia Martin | 2 productions |
| Steve Condos | 2 productions |
| Nicole Barth | 2 productions |
| Hal England | 2 productions |
| Gene Varrone | 2 productions |
| Gene Cooper | 2 productions |
| Eileen Herlie | 2 productions |
| Cyril Ritchard | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 4 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on2 works
How to Succeed in Business Without Really Trying
How to Succeed... (2011 Revival)
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Revival cast (1994) : Rebecca Luker, Lonette McKee, Mark Jacoby, Elaine Stritch, Michel Bell, Gretha Boston, Robert Morse, Jeffrey Huard (conductor). Quality 257.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- C. When you did orchestrations and Wally Harper did the arranging for So Long, 174th Street, did you think of the star, Robert Morse’s voice?ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
- H. Oh yes, Wally specifically thought of Robert Morse’s most unusual voice. In most shows we write for a general voice quality and then, if we get a star early in the run and have to change the range around, we do. Now, Ain’t Misbehavin’ was done for five original voices, and here it comes in a new incarnation and will have a star by the…ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
- Many of the Broadway cast members returned for the revival, including Robert Morse, Matt Mattox, Mitchell Gregg, and Elliott Gould; and joining the company were Orson Bean (Jack Jordan), Mindy Carson (Irene Lovelle), David Atkinson (Rudy Lorraine), and Betsy von Furstenberg (Frankie Jordan). This time around, the play omitted “Why Did He…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “The Parade” (Walter Pidgeon, Townspeople); “Oh, Please” (Walter Pidgeon, Una Merkel, Eileen Herlie, Family); “I Would Die” (Susan Luckey, Robert Morse); “Sid, Ol’ Kid” (Jackie Gleason, Townspeople); “Staying Young” (Walter Pidgeon); “I Get Embarrassed” (Jackie Gleason, Eileen Herlie); “We’re Home” (Eileen Herlie); “Take Me Along…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “The Beardsley Ballet” (Robert Morse, Susan Luckey, Charles Bolender, Rae McLean, Paula Lloyd, Ensemble); “Oh, Please” (reprise) (Walter Pidgeon, Una Merkel); “Promise Me a Rose” (Eileen Herlie, Jackie Gleason); “Staying Young” (reprise) (Walter Pidgeon); “Little Green Snake” (Jackie Gleason); “Nine O’Clock” (Robert Morse); “But…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.