On stage 29 productions, 29 years
| 1922 | The Lucky One Garrick Theatre · Original · directed by Theodore Komisarjevsky | 40 perf. |
| 1922 | The Tidings Brought to Mary Garrick Theatre · Original · directed by Theodore Komisarjevsky | 32 perf. |
| 1923 | Peer Gynt Garrick Theatre · Revival · directed by Theodore Komisarjevsky | 120 perf. |
| 1924 | Flame of Love Morosco Theatre · Original | 32 perf. |
| 1925 | Androcles and the Lion Klaw Theatre · Revival · directed by Philip Moeller | 68 perf. |
| 1925 | Garrick Gaieties Garrick Theatre · Original · directed by Philip Loeb | 211 perf. |
| 1925 | The Wild Duck 48th Street Theatre · Revival · directed by Dudley Digges | 103 perf. |
| 1926 | Garrick Gaieties Guild Theatre · Revival | 174 perf. |
| 1926 | The Chief Thing Guild Theatre · Original · directed by Philip Moeller | 40 perf. |
| 1926 | The Squall 48th Street Theatre · Original · directed by Lionel Atwill | 444 perf. |
| 1927 | Katy Did Dalys 63rd Street Theatre · Original · directed by Oscar Eagle | 8 perf. |
| 1927 | Loud Speaker 52nd Street Theatre · Original · directed by Harry Wagstaff Gribble | 42 perf. |
| 1928 | The Merchant of Venice Broadhurst Theatre · Revival | 64 perf. |
| 1928 | The Phantom Lover 49th Street Theatre · Original · directed by Gustav Blum | 15 perf. |
| 1929 | Be Your Age Belmont Theatre · Original · directed by Ira Hards | 32 perf. |
| 1929 | The Little Show Music Box · Original · directed by Dwight Deere Wiman, Alexander Leftwich | 321 perf. |
| 1930 | The Inspector General Hudson Theatre · Revival | 7 perf. |
| 1931 | Getting Married Guild Theatre · Revival · directed by Philip Moeller | 48 perf. |
| 1931 | Pillars of Society 48th Street Theatre · Revival · directed by Winifred Lenihan | 2 perf. |
| 1931 | The Streets of New York, or Poverty is No Crime 48th Street Theatre · Revival · directed by Knowles Entrikin | 87 perf. |
| 1932 | The Warrior's Husband Morosco Theatre · Revival · directed by Burk Symon | 83 perf. |
| 1935 | The Simpleton of the Unexpected Isles Guild Theatre · Original · directed by Harry Wagstaff Gribble | 40 perf. |
| 1940 | Love for Love Hudson Theatre · Revival · directed by Robert Edmond Jones | 8 perf. |
| 1942 | Bird in Hand Morosco Theatre · Revival | 8 perf. |
| 1942 | Heart of a City Henry Millers Theatre · Original | 28 perf. |
| 1945 | The Deep Mrs. Sykes Booth Theatre · Original | 72 perf. |
| 1946 | Joan of Lorraine Alvin Theatre · Original · directed by Margo Jones | 199 perf. |
| 1950 | Parisienne Fulton Theatre · Original | 16 perf. |
| 1951 | The Fourposter Ethel Barrymore Theatre · Original · directed by José Ferrer | 632 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Helen Westley | 5 productions |
| Dorothy Gish | 5 productions |
| Philip Leigh | 4 productions |
| Willard Tobias | 3 productions |
| Moffat Johnston | 3 productions |
| Henry Travers | 3 productions |
| Frank Conlan | 3 productions |
| Eleanor Shaler | 3 productions |
| Edith Meiser | 3 productions |
| Armina Marshall | 3 productions |
| William Griffith | 2 productions |
| Violet Heming | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 11 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.