On stage 6 productions, 14 years
| 1944 | Violet Belasco Theatre · Original | 23 perf. |
| 1945 | The Barretts of Wimpole Street Ethel Barrymore Theatre · Revival · directed by Guthrie McClintic | 88 perf. |
| 1948 | Anne of the Thousand Days Shubert Theatre · Original · directed by H. C. Potter | 288 perf. |
| 1952 | Desire Under the Elms Anta Playhouse · Revival · directed by Harold Clurman | 46 perf. |
| 1957 | Brigadoon Theatre not recorded · Revival | 47 perf. |
| 1958 | Cue for Passion Henry Millers Theatre · Revival | 39 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.