On stage 31 productions, 52 years
| 1928 | Tin Pan Alley Biltmore Theatre · Original · directed by Lester Lonergan | 69 perf. |
| 1929 | Street Scene Playhouse Theatre · Original | 601 perf. |
| 1930 | The Up and Up Biltmore Theatre · Original · directed by Howard Lindsay | 72 perf. |
| 1931 | Three Times the Hour Avon Theatre · Original · directed by Antoinette Perry | 23 perf. |
| 1931 | Wonder Boy Alvin Theatre · Original | 44 perf. |
| 1934 | Geraniums in My Window Longacre Theatre · Original · directed by Sidney Salkow | 27 perf. |
| 1934 | Spring Song Morosco Theatre · Revival · directed by Eddie Sobol | 40 perf. |
| 1934 | The Milky Way Cort Theatre · Original · directed by William W. Schorr | 63 perf. |
| 1934 | Yellow Jack Martin Beck Theatre · Original | 79 perf. |
| 1937 | Room Service Cort Theatre · Original | 500 perf. |
| 1939 | Margin for Error Plymouth Theatre · Original · directed by Otto Preminger | 264 perf. |
| 1945 | A Sound of Hunting Lyceum Theatre · Original · directed by Anthony Brown | 23 perf. |
| 1948 | Light Up the Sky Royale Theatre · Original | 214 perf. |
| 1950 | Guys and Dolls 46th Street Theatre · Original · directed by George S. Kaufman | 1,200 perf. |
| 1957 | Fair Game Longacre Theatre · Original · directed by Paul Roberts | 217 perf. |
| 1958 | Make a Million Playhouse Theatre · Original · directed by Jerome Chodorov | 308 perf. |
| 1959 | Heartbreak House Billy Rose Theatre · Revival · directed by Harold Clurman | 112 perf. |
| 1960 | The Good Soup Plymouth Theatre · Original | 21 perf. |
| 1961 | Let It Ride Eugene O'Neill Theatre · Original · directed by Stanley Prager | 68 perf. |
| 1961 | The Devil's Advocate Billy Rose Theatre · Original | 116 perf. |
| 1962 | Seidman and Son Belasco Theatre · Original · directed by Carmen Capalbo | 216 perf. |
| 1964 | Cafe Crown Martin Beck Theatre · Revival · directed by Jerome Eskow | 3 perf. |
| 1964 | The Last Analysis Belasco Theatre · Original · directed by Joseph Anthony | 28 perf. |
| 1965 | The Impossible Years Playhouse Theatre · Original · directed by Arthur Storch | 670 perf. |
| 1966 | Nathan Weinstein, Mystic, Connecticut Brooks Atkinson Theatre · Original · directed by Peter Kass | 3 perf. |
| 1969 | Three Men on a Horse Lyceum Theatre · Revival | 100 perf. |
| 1970 | Paris Is Out! Brooks Atkinson Theatre · Original · directed by Paul Aaron | 96 perf. |
| 1972 | The Sunshine Boys Broadhurst Theatre · Original · directed by Alan Arkin | 538 perf. |
| 1974 | Dreyfus in Rehearsal Ethel Barrymore Theatre · Original | 12 perf. |
| 1975 | The Royal Family Helen Hayes Theatre · Revival · directed by Ellis Rabb | 233 perf. |
| 1980 | Horowitz and Mrs. Washington John Golden Theatre · Original · directed by Joshua Logan | 6 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Michael Vale | 3 productions |
| William Foran | 2 productions |
| Vincent York | 2 productions |
| Tresa Hughes | 2 productions |
| Ted Thurston | 2 productions |
| Ruth Gordon | 2 productions |
| Robert Leonard | 2 productions |
| Pat Turner | 2 productions |
| Nancy Wickwire | 2 productions |
| Morgan Sterne | 2 productions |
| Matt Briggs | 2 productions |
| Marc West | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Guys and Dolls , Crap game in the sewer in act II. Robert Alda throwing the dice, Stubby Kaye kneeling to the left, Sam Levene to the right (1950). Museum of the City of New York. Theater Collection.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Nathan Detroit (Sam Levene), who runs the oldest established permanent floating crap game in New York, is hard up for money, a special problem since the biggest plunger of all, Sky Masterson (Robert Alda), is in town, ready to play. When Sky boasts that he can have any woman he wants, Nathan sees his chance. He wagers that Sky cannot win…ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Original cast (1950) : Robert Alda, Vivian Blaine, Sam Levene, Isabel Bigley, Pat Rooney Sr., Stubby Kaye, Irving Actman (conductor). Decca 8036; reissue MCA 2034. Missing: “Havana” and “Crapshooter” dances.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- This cured part of the problem, but there was a certain amount of stagecraft that had to be roughly taught. Sam Levene, a real actor accustomed to working with professionals, was determined to teach his crew, who knew nothing about picking up cues, listening, or even appearing spontaneous, how to behave onstage. For example, there is one…ebooks/Feuer, Cy/B003L77WUK EBOK - Cy Feuer & Ken Gross.txt
- When he brought in the suit, Sam Levene was appalled. He reluctantly tried it on and then proclaimed, “If you think I’m gonna wear this stupid suit you’re outta your mind.”ebooks/Feuer, Cy/B003L77WUK EBOK - Cy Feuer & Ken Gross.txt
- “You don’t know how close,” I said. “If it came to a choice between you and Sam Levene, you would have been outta here like a shot.”ebooks/Feuer, Cy/B003L77WUK EBOK - Cy Feuer & Ken Gross.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.